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The Anunnaki Connection - VOLUME 10 - FULL DOCUMENTARY | 4+ Hours Of Hidden Knowledge - YouTube

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Since the first humans looked up at the night sky, we've been trying to remember where we came from. We gave names to the stars, built temples to match their patterns and wrote stories to explain the voices we couldn't forget. Over time, those stories became religions. But if you line them up from Sumer to Egypt to Rome, from the Vadas to the Gospels, they all point to the same thing. Something that happened before history began.

 The figures we call gods might have been something else entirely. Creators, scientists, travelers, or maybe just survivors of an older world. Their fingerprints are still here in the myths of hybrids, in the secret teachings tried to decode. In the ruins buried under ice and in the strange alignments that still track across our sky. Even the cults that rose around Saturn, the keeper of time, were trying to preserve fragments of a truth that no one dared speak aloud.

 And when you look at the story of Jesus, not the one taught in churches, but the one hidden behind the edits and translations, you start to see how deep that pattern goes. Maybe religion wasn't about salvation. Maybe it was a way to keep the memory alive. A message left for the descendants of those first experiments, us, to one day find our way back.

This leader is provided to permit the projectionist to adjust the projector before the film begins. The volume and tone are identical with the soundtrack which follows. [Music] [Music] Across the world, the ruins still stand. Ziggurats rising from the deserts of Mesopotamia. Temples carved in stone along the Nile.

Pyramids piercing the jungles of Mexico. columns broken and scattered across the hills of Greece. Civilizations separated by oceans and millennia. And yet they all tell the same story. They spoke of shining beings who descended from the heavens, gods, angels, or something stranger. They gave fire, law, and civilization to mankind.

They taught astronomy, medicine, and war. They punished rebellion with floods and demanded worship in return. What were these beings truly? Were they aliens from distant worlds? Interdimensional travelers slipping into our reality for reasons we still cannot grasp? Perhaps they were something beyond all of these categories. Something outside of human comprehension.

The Sumerians called them the Anunnaki. And their shadow lingers through every great civilization of the ancient world. Join us as we search for the truth about where we came from on the Anunnaki connection. [Music] For more than 2,000 years, these ruins remained undiscovered. For centuries, the only people who saw these remains were occasional nomads who camped near here.

At the turn of this century, when archaeologists first came to Iraq, or as it was called then, Mesopotamia, they were looking for the biblical city Babylon, but they uncovered even older civilizations. The digging started here in the fertile crescent.

 The land between the rivers looked promising because of the possibilities for irrigation agriculture. Archaeologists knew that early civilizations grew along the banks of major rivers. Here it was the Tigris and Euphrates. These rivers were fed by waters from the mountains to the north. Not far from here, ancient cities have been discovered. Around 2700 BC, they were populated by Sumerians.

 In this area, archaeologists have found proof that serial agriculture was the basis of that civilization. Irrigated fields produced a dependable food supply for Samrians. They dug ditches and brought river water to their dry lands, the first step toward largecale farming. Farmers have been irrigating this area for nearly 5,000 years. Canal systems crisscross the whole land.

The Sumerians turned the desert into a fertile delta with an abundant food supply. The population grew with Sumer divided into several city states. This pattern was quite different from Egypt which at the same time was developing into a unified country. We think about 200,000 people lived in a typical Sumerian city state.

 The temple was the center of Sumerian city life. At Ur, archaeologists uncovered another temple called a ziggurat. Each city state was organized around the worship of the deity whose home was the temple. Mainstream archaeology tells us that Sumer was the birthplace of civilization, the first cities, the first writing, irrigation canals, temples, and laws.

 But the Sumerianss themselves never claimed credit for these breakthroughs. In their own tablets, they wrote that it was the Anunnaki who descended from the heavens and laid the foundations of culture. The word Anunnaki itself tells us who these beings were. It comes from two root words in the Sumerian tongue, Anu and Ki. Anu was the supreme god of the heavens, the father of the divine assembly, ruler of the sky.

 key was the earth, the realm of man. And so the Anunnaki were literally those who from heaven came to earth, beings who crossed the boundary between the divine and the mortal, who descended to shape the world of men. At the head of their pantheon was Anu, the distant skyfather, seated in the highest heavens.

 Beneath him was his son, Enlil, the storm god, who cleaved heaven and earth in two. Enlil became lord of the air and the atmosphere, and it was he who decided the fate of mankind. His brother was Enki, lord of the waters, master of wisdom and creation, who dwelt in the Abzu, the subterranean deep. Enki was the god who shaped mankind itself, and who later defied his brother to save humanity from the flood.

 Alongside them stood Ninhers, the mother goddess, described as the nourisher of humanity and the womb of the earth. There was Inana or Ishtar, goddess of love, war and fertility, both alluring and dangerous. There was Utu Shamash, the sun god, who brought justice and light and handed the laws to kings. Together, these beings formed the great assembly of the Anunnaki.

The tablets tell us that the Anunnaki chose who would rule and that the laws and boundaries of civilization were decreed by them. When Hammurabi inscribed his famous code of laws, he credited Shamash, the sun god, as the divine source of justice.

 Mainstream historians explain the fall of Sumer through conquest, soil exhaustion, and shifting rivers. But in the tablets, floods, famines, and plagues were punishments sent by the gods. When humanity grew noisy and rebellious, Enlil sought to wipe them out. It was Enki who intervened, warning a chosen man to build an ark and survive the deluge. The biblical Noah is only the later echo of this much older Sumerian tale.

 In Egypt 2, we will find stories of gods who came from the stars, who ruled before the first pharaohs, and who shaped the destiny of mankind. Farming began to develop in the Middle East around 8,000 BC and then spread after 3,000 years into the Nile River Valley and the fertile land between the Tigress and Euphrates rivers.

 There the Mesopotamian citystates would evolve. But in the Nile Valley, a unified kingdom of Egypt would come into being. It's believed that the people who settled Egypt had been forced by the advancing deserts of North Africa into the Valley of the Nile. The people found the river a plentiful source of water for their herds.

They discovered that they could irrigate the land and grow crops. [Music] They were among the first of the ancient peoples to become food producers instead of food gatherers. They rapidly developed the science of agriculture. The more ambitious projects, the digging of irrigation ditches and canals demanded large-scale planning and the cooperation of many people.

Beside this step pyramid lie many tombs of nobles. Inside these and other tombs, relics have been found. Clues to the way Egyptians lived and worked. Ancient hammers and chisels show us how they carved words and pictures into stone. Molds for making bricks show that ancient brick makers worked much like brick makers still do in Egypt.

Models of ancient Egyptian homes found in the tombs are similar to the mud brick homes in many villages today. Hoes like this relic were used by ancient farmers to cultivate the land. From the handheld hoe, the Egyptians developed the plow that could be pulled by animals, a great step forward in the progress of civilization.

 The Egyptians celebrated the plow in tomb paintings. With the plow, they could cultivate more land and grow the large amount of food that was needed to support a great population. The Egyptians also developed a system of writing called hieroglyphics that was originally designed to be carved on stone and was also used later for recording important religious works such as the book of the dead.

 A simplified form of hieroglyphics was written on paper, another ancient Egyptian invention. A dynasty of all powerful pharaohs ruled the country. They claim their authority directly from the gods. Egyptians had many gods. Mainstream archaeology presents Egypt as the natural outgrowth of the Nile, a river that gave life to a desert, allowed agriculture to flourish, and fed the rise of a unified kingdom.

 It speaks of the pyramids as tombs, of irrigation as ingenuity, and of pharaohs as mortal kings who claimed divine favor. But beneath the sands lies another layer of the story. One where Egypt was not just the creation of men, but of gods who came from beyond. The Egyptian pantheon is vast, but at its heart are patterns that mirror the older Sumerian world.

 Osiris, Lord of the underworld and resurrection, carries echoes of Enki. The wise god who descended into the deep, associated with water and the renewal of life. Isis, Osiris's consort, mother and magician, reflects Ninhersag, the Sumerian mother goddess who nourished humanity. Horus, the falcon sky god who avenges his father, recalls the stormbbearing heirs of Enlil, gods of rulership and warfare.

 And Thath, scribe of the gods and keeper of hidden wisdom, is remembered in Mesopotamia as Ningish Zeta, the serpent lord of the tree of truth, a mediator between heaven and earth. Even the great monuments bear the signature of a knowledge that seems to exceed their time. The pyramids, officially described as tombs, align with Orion's belt and the stars of the heavens.

 The Sphinx, half man and half lion, points to the zodiac itself, watching over the ages. To the Egyptians, these were not just stone. They were machines of eternity, bridges between the world of men and the realm of the gods. Pharaohs ruled as divine kings, but their authority was never their own. Every inscription declares that kingship descended from the gods.

 The pharaoh was Horus in life, Osiris in death, a living conduit of divine blood. This is the same claim made in Mesopotamia that kingship itself was a gift of the Anunnaki. Egypt remembered it differently, but the theme is the same. Rulers on earth legitimized by beings from heaven. The gods of Egypt, like those of Sumer, carried the marks of the Anunnaki.

 Anu, the distant skyfather, becomes Ra, the shining sun at the highest point. Enlil, the stormbringer, becomes Set, the chaotic force who rules the desert and the storm. Enki, the wise lord of water, becomes Osiris, drowned, dismembered, yet reborn as lord of life. The myth changes, but the pattern remains.

 Ancient texts speak of the Shsuhor, the followers of Horus, a race of divine kings who ruled before the first dynasties. Some say they came from a lost island swallowed by the sea. Others claim they descended from the stars. The Sumerians would have recognized them as the Anunnaki. In Egypt, the Anunnaki wore new faces. They became gods of death and resurrection, of sun and flood, of the Nile and the sky.

 But their role remained the same. The givers of kingship, the masters of knowledge, the rulers who stood at the threshold between heaven and earth. India, a country stretching nearly 2,000 miles from north to south. A giant triangle separated from the rest of the world by vast stretches of ocean and the mountain barrier of the Himalayas.

Across the flat desert land, India's early invaders coming down the mountain passes drove the original settlers to the south. These Aryan conquerors occupied northern India and ushered in the Hindu period of history. As they expanded, the Aryans settled in what are today Patna, Delhi and other northern cities. These ruins stand near Delhi to this day.

It was near Delhi that according to legend a mighty war was fought between rival forces of Hinduism. Out of it a unique set of beliefs and rules emerged touching upon all phases of life throughout India. Imposing temples stand witness to the deep religious feeling of the Hindu. To Hindus seeking religious knowledge, individual well-being and possessions are unimportant. And so a great part of the Hindu creative genius has turned to religion.

Each of the many forms of the supreme being to whom all Hindus pray has its temples and its worshippers. Brahma, Vishnu, Shiva and the numerous forms and incarnations of these gods are rendered in stone. The highest art of India is seen in carvings made during the period of the Gupta dynasty. Gupta kings ruled northern India in the fourth, fifth and sixth centuries AD.

And under the Guptas, some of the greatest masterpieces of Indian art were created. Although it lasted less than 300 years, it is considered the classical age of India's culture. After the 8th century, new waves of invaders swept down on the plains, burning, fighting, pillaging. Arabs, Afghans, Turks, all of them fanatic Muslims littered the Indian countryside with ruins.

Among the wreckage stands this rot iron column of one of the Guptaar kings as a reminder of the short glory of this proud Hindu dynasty. Not far from it, near Delhi, a Muslim tower of victory was erected. Made of carved redstone and rising 238 ft above the ground. It symbolizes the might of the Muslim conquerors.

 [Music] In India, the ancient Vadas and the Mahabarata preserve stories of gods who wielded immense power, weapons of fire and machines that could fly across the sky. To modern historians, these are just allegorories, metaphors for storms, lightning, and cosmic forces. But when read alongside the stories of Sumer in Egypt, the parallels are too close to ignore.

 The Rigveda describes the storm god Indra, possessor of the thunderbolt, who battles serpents and demons with a weapon called the Vajra. Much like the Mesopotamian Enlil, a punishing storm god, and the Greek Zeus, hurling thunderbolts from the sky, the power of the heavens was a weapon, devastating and precise, remembered in each tradition under a different name.

Shiva, the destroyer and creator. His wrath, but also his role as renewer, sounds much like Enki, who could both preserve life and unleash the waters upon the earth. In the Mahabarata, the gods grant mankind celestial weapons called Astra, capable of leveling entire armies.

 A memory perhaps of technologies once wielded by the same beings the Samrians called the Anunnaki. Even the stars themselves are woven into the myths. The Vadic Nakshhatra of Migashira links to Orion, the cosmic hunter whose pursuit across the heavens shows up in Greek, Norse, and Sumerian traditions. Was this constellation sacred across cultures because it was home to the same gods remembered under different names? The Hindu tales also speak of flying machines.

 Vimmanas that carried the gods across the sky, waging war between heavens and earth. Ancient astronaut theorists see in this the echo of Mesopotamia's sky chariots, the vehicles of the Anunnaki. If the gods of India and the gods of Sumer are the same, then the memory of these machines may have been preserved across continents, retold as myth, but rooted in reality.

 [Music] [Music] So where did these Anunnaki gods come from? Anthropologists tell us that religion began as a way to explain the unexplainable. Early humans confronted with storms, floods, death, and the stars gave these forces names and personalities.

 Gods, they say, were born out of fear, ritual, and imagination, tools for survival in a dangerous world. From this perspective, the Anunnaki were nothing more than symbols, mythic projections of human needs. But here's the problem. The Sumerians didn't tell us about theoretical ideas that they had just bouncing around in their heads.

 They wrote about beings, flesh and blood, rulers who descended from the heavens above them, who built cities, aortioned the land, and decreed the laws of civilization. These texts describe a time before the flood when kingship was first lowered from heaven and when gods walked among men. Then came catastrophe, the great deluge that reset the world. Afterward, only fragments of memory remained.

 This fractured memory may be what later civilizations inherited. A recollection of a time before humanity was remade, or perhaps before the Earth itself was fully prepared for human life. Some have speculated this was not merely a mythic flood, but the echo of something larger.

 the terraforming of the planet, the reshaping of the Earth by forces beyond human comprehension. The further back we look, the stranger it becomes. Our written records vanish past the 4th millennium BC. Before Sumere, history dissolves into prehistory, and yet scattered clues remain. Megalithic sites like Gobeclete in Turkey, older than Sumere by millennia, show advanced astronomical alignments and architecture long before the so-called first civilization.

The Samrian king list describes rains of tens of thousands of years before the flood. Geological evidence hints at sudden shifts around 10,000 BC when ice sheets melted and global seas surged. Something happened. something that broke the line of human memory. It all started many thousands of years ago. It started in the Garden of Eden.

 And I want to read you about it in the third chapter of Genesis. It's all recorded. All the troubles, all the difficulties, all the problems, all the headaches, all the wars, all the confusions, all the greed and jealousy that we have today started in the Garden of Eden many thousands of years ago. In Genesis, we are told that God placed man in Eden with one command. Do not eat from the tree of knowledge.

 A serpent appears, whispers to Eve, and tempts her to defy the command. She eats, gives to Adam, and their eyes are opened. For this, they are cursed, cast out, condemned to suffering. This is the foundation of the biblical story. Mankind is guilty, forever in need of obedience. But in the older Samrian texts, the story is not one of sin.

 It is one of rebellion, of survival. The serpent is none other than Enki, Lord of Wisdom, who defies his brother Enlil by giving humanity forbidden knowledge. Just as Prometheus stole fire from the gods, Enki gave mankind the tools to live, to think, to see. It is Enlil, the storm god, the punisher who wished to keep mankind ignorant, who later tried to wipe humanity out in the flood.

 In this older version, it is not the serpent who lies, but the so-called god. The biblical authors twisted the story. The serpent was not the villain, instead a protector. Enki was cast as Satan because he gave humanity what the ruling gods wanted to withhold. Knowledge, freedom, the spark of civilization. And this is where religion begins.

 From the start, it was about control. A system to keep mankind in line, to turn fear of the divine into obedience to rulers who claim to speak for the gods. Whatever the Anunnaki were, alien or angel, they knew our weakness. our hunger for meaning, our tendency to worship. Did they take advantage of that? Or did they plant it in us deliberately, a feature, not a flaw, programming us to kneel before them? Modern science has even found hints of this in our biology.

Some researchers speak of a god gene, suggesting that spirituality, even the urge to worship, is hardwired into our DNA. Is that evolution or engineering? Were we designed to seek gods, to crave authority, to hand over our power? Does a built-in bias toward spirituality live in our DNA? The phrase God gene came from geneticist Dean Hamr, who argued in 2004 that variation in a neurotransmitter gene called VMAT2, helps tilt some people towards self-trcendence, the trait psychologists use as a proxy for spirituality. It

works as a transporter that loads dopamine, serotonin, norepinephrine, and histamine into synaptic vesicles. The machinery that shapes reward, salience, awe, and motivation. The spirituality knob can be measured as self-trcendence in Cloninger's temperament and character inventory.

 This trait does show genetic influence. If the Anunnaki were real, divine, alien, or otherwise, they didn't need to invent religion from scratch. They could simply lean on human wiring that was already there and install a bias toward reverence as a feature rather than a bug. [Music] Religion is a way of life that describes the duties and relations of man to his God.

 Adherence of all religions join in the belief that man's coming into the world necessarily brought with him with God. Man and his primitive state sought ways of overcoming his environment, the fire of the sky, the wrath of the sea, the fury of the winds, and the heat of the desert for sure which he tried to control or appease. Some primitive men attempted to curb such forces with magic.

 Others turned to a kind of nature worship. As time passed, man tried to invoke the aid of the primeval forces. Eventually, in most religions, man associated these forces with some one great spirit or god. Through the ages, different religions have arisen and some have declined.

 Five of the great religions endure and continue to guide millions upon millions of people the world over. These five had their beginnings in southwestern Asia. It was here that Hinduism arose. Arabia cradled Judaism. Out of Hinduism grew Buddhism. And out of Judaism developed Christianity. Most recently Islam has developed. Where did our stories come from? If humanity was reset, what are we actually remembering? Mainstream chronology begins when clay meets stylus.

 Push past 5 or 6 thousand years and written memory dissolves. But the earth keeps receipts. At the end of the last ice age, shorelines weren't where they are now. Seas were lower by more than 100 meters. As the ice collapsed, water rushed in and coastlines sprinted inland. Whatever harbors, shrines, or villages clung to those paleo coasts now sleep under the continental shelves.

 That alone explains why deep time feels like silence. Much of it is underwater. On August 21st, 2025, Egyptian authorities revealed the recovery of 2,000-year-old artifacts from a sunken city in Abuir Bay near Alexandria. Beneath the waves of the Mediterranean just off Alexandria's coast, lies a city swallowed by the sea.

 For centuries, it was thought lost until divers began pulling its treasures back into the light. Statues of gods and kings, ancient coins, and even a sphinx bearing the name of Ramsy's II, all resting in silence for nearly 2,000 years. What if this sunken city hides a deeper story? One that ties into the legacy of the gods themselves. The finds tell us this wasn't a small trading outpost. It was a place of wealth, ceremony, and power.

 The city fell after earthquakes shook the delta, and rising waters buried its streets. A story we've heard before. Civilizations rising, then vanishing under the waves. The flood myths of Sumer, the deluge of the Hebrews, even tales from India and the Americas. Always the same pattern.

 Right on the hinge where before becomes after around 10,000 BC, Gobeclete appears. Stone enclosures and teaillars built by hunter gatherers with star awareness and engineering nerve. If an industrial civilization had risen thousands or even millions of years before us, would we even know? After a few hundred,000 years, cities crumble and metals oxidize. What remains are only geologic whispers.

 odd carbon isotope jolts, synthetic residues, peculiar sediments, anoxic ocean layers. When that world broke by climate whiplash, volcanism, impact, or something we don't have language for, the ocean took the edges, forests reclaimed the middle, and memory collapsed to myth. The survivors did what survivors always do. They rebuilt shrines first, then cities.

Two possibilities branch from that moment. Caretakers. The Anunnaki arrive to a wounded planet, stabilize it, and reboot. They seed soils, damn rivers, and stand up a cultural operating system. Calendars, law, temple-ledd agriculture, kingship. They compress knowledge into rituals so it will survive the next shock. Civilization restarts on rails. Conquerors.

 The Anunnaki trigger or exploit the collapse, clear the board, and install themselves as gods. They redirect the old animist current away from river and ancestor and into ziggurat and throne. Obedience becomes holiness. Tribute becomes rainfall. The same awe circuits fire. New end point. Every civilization remembers the moment the human first opened their eyes.

 Across languages and continents, the story is told with the same three tokens, earth, blood, and breath. In Mesopotamia, Enki and Ninhurag shape a body from clay and spike it with divine essence, the blood of a god, so that a living worker can carry the load of heaven. Some retellings say Marduk. The older tablets point to kingu or the sacrificed god Ghtu.

 In Egypt, the ram-headed can turns people on a potter's wheel and brings them to term like vessels from the Nile mud. In Greece, Prometheus presses man from clay and Athena leans close with the animating breath. In China, Nua needs yellow earth into figures and breathes life into them. Among the Yoruba, Obatala sculpts the forms and Oladur grants the breath.

 In the Bible, God lifts dust from the ground and breathes a soul into Adam. Even the Popal VU remembers failed prototypes, mud and wood, before the successful people of maze. The variables barely change. There is always the earthy substrate shaped by a hand. The drop of essence that binds the new being to its makers and the moment of activation when the lights come on. The recipe for a human being.

Could these ingredients be metaphors for a genetic procedure? Clay and dust are the local genome. the best available substrate on this planet. Modern Homo sapiens emerges in Africa roughly 200,000 years ago. Around that window, the planet carries a whole cast of near humans.

 Neanderthalss, denisovans, and homo erectus lingering in Southeast Asia, Homonyiti in southern Africa, and other archaic sapiens and hidlebergensus grade populations in Africa and the Levant. We know later a mixture happened. Living people outside Africa carry Neanderthal DNA. Some carry Dennisovven, proof that these lineages were compatible at the genetic level.

 If someone wanted a leap, the raw material was already walking around. This leap wouldn't hinge on a single miracle gene. It would be a tuning of systems. You would nudge the networks that pattern the developing brain so working memory and abstraction get a longer leash. You would tighten the feedback loops that bind breath to voice, cortex to tongue, so language can ride the air.

 You would soften or sharpen the chemistry of salience and reward so teaching, ritual, and cooperation leave deeper tracks. You would fortify immune systems and metabolism for crowding, grain, and animals, directed hybridization, and backcrossing. Planned unions among compatible hominins with donor gamtes to concentrate traits across a handful of fast generations.

Why the blood? Because essence is transmitted in blood. Why the breath? Because breath is voice and voice is mind shared. Why the dirt? Because everybody is of the earth. If you had to explain a lab to a village, you would use the materials they know. That's why the story repeats across time and culture.

 [Music] We do not know what the Anunnaki truly were. Some see craft in the sky and call them aliens. Others see that theory as a bridge too far. Both views can hold their ground. Perhaps they were human. Survivors from an advanced cycle so old it's become geology. Who came back after a planetary disaster and restarted the clock.

 Perhaps they were off-world engineers who seated a breakaway civilization here, bred a hybrid species to inherit the surface and then withdrew to wherever home is. Or perhaps they were not beings in any way we're prepared to accept. predators or patrons from another layer of reality who put on the mask of God and learn to eat from our devotion.

We don't have the final answer. What we do have is a pattern and a choice. We can look away or we can look harder. We aren't here to convert you. We are here to ask the question. To ask why the same patterns surface in far places and deep time to ask who benefits when information is kept hidden. Maybe the Anunnaki were our teachers. Maybe they were our jailers.

 Or maybe they were us. Tune in next time as we peer deeper into the abyss on the Anunnaki connection. [Music] [Applause] Since time immemorial, humanity has been haunted by the image of the hybrid. Creatures of myth and memory, fusions of man and beast, of god and mortal, of one world and the next. Some say they were symbols, others say they were real.

 The Nephilim, the Anunnaki, half breeds born of divine rebellion, giants, monsters, kings. In every ancient culture they appear. The Sumerians spoke of fishmen and sky serpents. The Egyptians carved jackal-headed guardians, falcon gods, and hybrid beasts into stone. The Greeks told of centaurs, chimeas, and monsters created in secret chambers beneath the earth.

 In Hindu texts, we find lionheaded avatars and vanara, the monkey people of the forest. In the book of Enoch, we're warned about giants born from the union of angels and human women. Warnings. DNA restructured, repurposed, reimagined. Across time, every attempt to create something stronger, smarter, more divine ends the same way.

 The lines blur, the balance breaks, and the hybrid turns on its maker. Were they real? These impossible creatures with the wings of birds, the heads of lions, the torsos of men? Were they living beings created by some forgotten science? Or were they symbols, signs meant to represent power, knowledge, fear? Chimeas, hybrids posted at the entrances to tombs, temples, and sacred cities, carved into walls, towering over gates as if standing watch.

 Did the gods of old control monsters? Did they create them? Were these creatures protectors of something deeper? Or to guard something the gods feared? Because if these creatures once walked the earth, then someone or something put them here. Hybrid creatures straight out of a fantasy film. Welcome to the Anunnaki Connection. [Music] [Music] The Epic of Gilgamesh. The oldest surviving story in the world.

Written in ancient Sumer, one of the first civilizations we have records from. the opening lines. In those ancient days, in those distant days, in those nights, in those far off nights, a reminder that even the Samrians were looking back, writing about a time considered ancient even to them. One of the characters we meet is Enkidu, not a normal man.

 He's wild, hairy, running with animals, drinking from rivers, human, but not fully. He wasn't born, he was made by the gods. Enkadu is a hybrid. In the epic, Enkadu is created by the goddess Aruru, the sister of Enlil. The gods command her to make a being strong enough to confront Gilgamesh, someone equal in power.

 She begins with clay, the same substance used to create the first humans in Sumerian tradition. But this isn't dirt. In Sumerian myth, clay refers to a mixture of earthly material and divine essence, a way of describing the fusion of biology between God and man. The text says Enkodu was knitted of Ninerta's essence. Ninerta was a warrior god, often associated with lions and bulls.

He was also a son of Enlil. Enkodu is imbued with the essence of wild animals, the strength of a bull, the mane of a lion, the speed of the gazelle. Strip away the mythic language, and this starts to sound less like magic and more like selective design built from raw material, infused with divine genetics, shaped to be physically superior.

A Nunaki tradition says the gods once created humans as workers, mixing their own blood with the clay of the earth. Enkidu was a continuation of that, a targeted experiment, a specialized hybrid. And he wasn't alone. The Samrian world was filled with creatures that didn't fit into natural categories. Beings with mixed features.

 Part animal, part human, part god, part something else. The lamasu, body of a bull or lion. Wings of an eagle, human face, guardians placed at the entrances of palaces and temples. Massive stone statues carved with detail, always in pairs, watching, protecting, blocking whatever wasn't meant to enter.

 The bull of heaven sent by the goddess Anana after Gilgamesh rejects her. It descends from the sky, causes earthquakes, kills hundreds. It's so powerful it takes both Gilgamesh and Enkodu working together to stop it. The Yugalu, big weather beast, a lionheaded demon, sometimes winged, sometimes holding a mace or dagger, painted on walls, carved into amulets, called on to drive out disease and evil spirits. Despite being labeled a demon, Ugallu wasn't evil.

 He was a tool of order, summoned to protect homes and temples. The Urmal Malulu, Lion Man, a creature with a lion's lower body and a human upper torso, armed with a dagger or sword, wearing a horned crown, the symbol of divinity, also used in protective magic. Statues of him were buried at gateways and thresholds like the lamasu, a guardian.

 The same pattern again. Mixed features, animal strength, human awareness, divine origin, specific purpose, physical, dangerous, sacred, and all hybrids. If these gods had the power to create humans, then creating other beings, more specialized ones, wouldn't have been a stretch. What you are looking at is the largest known feline on Earth, a liger.

 The hybrid offspring of a male lion and a female tiger. The first records of such hybrids date back to early 19th century colonial India under the British Empire. It was there that naturalists first documented the crossbreeding of lions and tigers. By the mid 1800s, liger cubs were being shown in Europe, oddities of science and spectacle.

Later, in private zoos across Europe and America, ligers became living attractions. What's truly remarkable is its size. Most ligers grow to exceed 900 lb, and some stretch over 12 ft in length when standing. The world's largest known cat, a liger named Hercules, weighed in at nearly 1,000 lb.

 A gentle giant, yet a true colossus, unmatched by any lion or tiger ever recorded. The science is simple enough. Each parents growth limiting genes fail to switch on in the hybrid, so the liger keeps growing far beyond normal limits. A modern example of how mixing species can produce traits that don't exist in nature.

 The Nephilim giants of the Hebrew Bible, towering beings said to be the offspring of divine and mortal unions. Could ligers be a small living echo of that same principle? If a simple cross between two big cats can create a creature larger than either parent, what might have happened if ancient genetic engineers combined human DNA with something else? Would we see a similar giant effect? The kind of size and strength that filled the old stories.

[Music] Ancient Egypt had hybrids, too. Anubis, the jackal-headed guardian of the dead. Sobeck, crocodile headed. Th ibis-headed god of writing, wisdom, and time. Horus, the falcon-headed sky god, protector of the pharaoh, depicted with fully human bodies, and an animal head.

 Were they shape- shifters or fixed beings? And then there's the sphinx. Human head, lion's body, sometimes wings, massive, ancient. The great sphinx at Giza still stands today, carved from a single block of limestone. Its original purpose is still debated. Some say it was just a symbol of royal power.

 Others think it's far older than the pyramids, weathered by thousands of years of rain, possibly predating dynastic Egypt entirely. In Greek mythology, the Sphinx still has the body of a lion, but now she has wings and a woman's head, and she isn't a protector. This time, she's a threat. According to legend, the gods sent her to punish the city of thieves. She sat outside the city and asked a riddle.

The riddle was simple but deadly. What is four legs in the morning, two at noon, and three in the evening? No one could solve it. Those who tried died. The road near Mount Fion was littered with their bones. Eventually, the king of thieves offered a deal. Anyone who could solve the riddle would be given the throne. That's when Edypus arrived.

He was fleeing Corinth, wandering. And when he heard the riddle, he gave the right answer, "Man." As a baby, he crawls on all fours. As an adult, he walks on two legs, and in old age, he uses a cane, his third leg. The Sphinx didn't speak. She leapt from the cliff and killed herself. The curse was broken, and thieves was saved.

By the late 1400s, artists in Italy began reimagining her. This version is sometimes called the French Sphinx. Her head is upright, hair carefully styled, often adorned with pearls and earrings. Her body a reclining lioness rendered in lifelike detail. A hybrid that had crossed from myth into ornament. Hybrid creatures appear again and again in human history.

 Cultures separated by thousands of miles and in some cases thousands of years telling the same kind of story. Why? The most conventional explanation is symbolism. Animal traits were chosen to represent specific qualities. But does symbolism explain why the same kinds of hybrids appear in unrelated cultures? Why does the lion man show up in both ancient Mesopotamia and in Ice Age European carvings tens of thousands of years old? Why do winged guardians appear from Assyria to Central America? Some hybrids match constellations. The lion, the bull, the eagle, and the man

all four appear in Mesopotamian iconography in the book of Ezekiel and in the zodiac as Leo, Taurus, Aquila, and Aquarius. In many cases, hybrids are placed at boundaries. The Lamasu stood at the gates of Assyrian palaces. The great Sphinx of Giza sits on the edge of the necropolis.

 The Greek Sphinx blocked the road to thieves. In Meso America, Jaguar men guarded temples and ceremonial spaces to protect what lay inside to keep out the unworthy. Modern architecture still uses symbolic guardians, lions outside government buildings, eagles over doorways, even gargoyles on cathedrals, a tradition that has lasted for millennia.

 But there is another possibility, one that appears in the ancient texts themselves. If the gods could make humans, as the Sumerianss claimed, could they also have made other beings? Beings designed for specific roles? The Anzu, a lion-headed eagle that steals the tablets of destiny, is described more like a weapon than a wild animal.

 In modern science, we are beginning to explore genetic engineering. Crisper technology allows researchers to edit the DNA of plants, animals, and even humans. In 2019, scientists in China created human monkey embryo hybrids for research purposes. The technology exists. If we can do this today, could an advanced civilization have done it thousands of years ago? [Music] In the shadows of history, a story waits to be told.

Time moves in echoes. Footsteps lost in corridors. Whispers from a past you cannot see. Yet feel within your bones. [Music] secrets lie behind the faded photograph. What truth to survive the passing of decades? [Music] past has converges in a single moment. It

darkness meets its reckoning. [Music] So the story remains a testament to the age of shadows. Hollywood in the early 1900s was just a small farming community outside Los Angeles. A century ago, it was all citrus groves and dirt roads. Then the studios came. The film industry's move west was driven by a need to escape Thomas Edison's motion picture patents company, which controlled almost all of the filmmaking equipment and production on the east coast.

The distance from Edison's base made it harder for him to enforce his patents, and California's climate and consistent sunlight made yearround filming possible. In 1915, director DW Griffith released The Birth of a Nation, considered a landmark in cinematic technique, but also highly controversial for its glorification of the Ku Klux Clan.

 Facing widespread criticism, Griffith began production on a follow-up he wanted to surpass his earlier film and take the heat off. The result was Intolerance. Released in 1916, a 3 and 1/2 hour epic weaving together four story lines. The fall of Babylon, the crucifixion of Christ, the St. Bartholomew's Day Massacre in France, and a modern American story about social injustice.

For the Babylon scenes, Griffith commissioned what was then the largest and most elaborate film set ever built. It featured massive ceremonial gates, winged human animal figures, and the rosette motif associated with the tree of life. The scale was immense. The walls rose more than 100 ft, and the set dominated the Los Angeles skyline for years after filming wrapped.

 When the Hollywood and Highland complex was built in 2001, its designers deliberately recreated parts of Griffith's Babylon set, including the colossal winged guardians and the rosette above the central archway. Millions pass beneath them each year, often unaware they are walking through a modern reconstruction of Mesopotamian temple imagery.

 Hollywood is full of ancient symbolism. Lion's Gate recalls the monumental lion gates of Mysini in Babylon. The MGM logo frames a roaring lion in a ceremonial arch. Hollywood Pictures uses an Egyptian sphinx. Tristar's Pegasus is the winged horse of Greek myth linked to divine inspiration.

 Colombia Pictures depicts a robed woman holding a torch, an image tied to the Roman goddess Libertas and to Isis of Egyptian tradition. In the ancient world, these figures marked a threshold. Passing between them meant leaving the human realm behind and entering the domain of the gods. So what is Hollywood telling us? that it too is a gate guarding a lineage inherited from the temples of the old world.

 Hollywood likes to think of itself as the new storyteller, the keeper of the modern myth. But these aren't new ideas. They're echoes. The same halfh human, halfan animal forms carved into stone thousands of years ago in Mesopotamia, painted into the walls of Egyptian tombs described in Greek scrolls. And the fact that we still respond to them, that they still resonate, might mean we're not dealing with fiction at all.

 [Music] The cinephille, do-headed men. They appear in ancient accounts from Greece, Rome, India, China, and even medieval Europe. Always described the same way. the body of a man, the head of a dog or jackal. The Greek physician Katissius wrote about them in the fifth century BC, placing them in distant India.

 He claimed they lived in tribes, hunted with bows, and communicated with barks. Later, Plenny the Elder described them in natural history, echoing Kitsa's details, even adding that they wore animal skins and traded with nearby kingdoms. Medieval travelers kept the story alive. Marco Polo placed them on islands off the coast of India while the 9th century writer Iben Corded Bay claimed they lived in the mountains of the east. In Christian lore, some saints like St.

Christopher were even depicted as cinephille. Were these purely symbolic depictions of foreign peoples or garbled reports of an actual hybrid species? The consistent descriptions over more than a thousand years raised the possibility that the story was rooted in something real.

 And if hybrids like Enkidu or the Anubis headed gods of Egypt were based on ancient genetic experiments, could the cinephille have been another creation built for a purpose we've long since forgotten? [Music] When Yuval Noah Harrari published his first book, Sapiens, in 2014 about the history of the human species, it became a global bestseller and turned the littleknown Israeli history professor into one of the most popular writers and thinkers on the planet. But when we met with Harrari in Tel Aviv this summer, it wasn't our species past that concerned

him. It was our future. Harrari believes we may be on the brink of creating not just a new enhanced species of human, but an entirely new kind of being. One that's far more intelligent than we are. It sounds like science fiction, but you all know Harrari says it's actually much more dangerous than that. You said we are one of the last generations of homo sapiens.

 Within a century or two, Earth will be dominated by entities that are more different from us than we are different from chimpanzees. Yeah. What the hell does that mean? That freaked me out. You know, we'll soon have the power to re-engineer our bodies and brains, whether it is with genetic engineering or by directly connecting brains to computers or by creating completely non-organic entities, artificial intelligence, which is not based at all on the organic body and the organic brain.

 And these technologies are developing at breakneck speed. If that is true, then it creates a whole other species. This is something which is way beyond just another species. Today, scientists are doing something that not long ago was unthinkable. They can edit the genetic code of living beings. The tool is called Crisper. It works like a pair of molecular scissors.

 It can cut DNA at a precise location, remove specific genes, or insert entirely new ones. The technology is less than 10 years old, yet it has already changed medicine and agriculture. Crops have been made resistant to disease. Mosquitoes altered so they can no longer spread malaria. Human embryos edited to remove inherited disorders.

 In 2019, Chinese researchers injected 25 human stem cells capable of forming any cell type, including placenta, into 132 macak embryos. It seems today's scientists are more concerned with whether or not they can do something and seldom bothered by whether or not they should. Yeah. Don't you see the danger? Your scientists were so preoccupied with whether or not they could, they didn't stop to think of it. Should.

 And now the frontier is merging biology and technology. Researchers are developing neural implants that can connect the human brain to computers. Robotic limbs controlled directly by thought. Artificial organs. Synthetic eyes that can see beyond the range of normal vision. Artificial intelligence is being trained to read brain signals, translate them into action, even into speech. The line between human and machine begins to blur.

 For some, the goal is to repair and restore. But for others, it's to enhance, to create a human that is stronger, faster, more intelligent, and perhaps more controllable. Scientists predict this will lead to a new kind of human altogether. Our own descendants, genetically altered and mechanically enhanced.

 If we can do this now with tools that didn't exist a decade ago, what might have been possible for a civilization thousands of years ahead of us? Ancient Sumerian tablets describe the gods mixing their essence with the clay of the earth to create humans. Egyptian temples show beings that are part man, part animal.

 Indian texts describe deities with multiple arms, animal heads or the ability to change form at will. Was this just symbolic or records of beings who had already crossed the line? In the Bible, the cherubim stood watch over Eden's entrance. In Mesopotamia, Lamasu guarded the palaces of kings. Perhaps these weren't mere symbols carved in stone, but depictions of actual bioengineered sentinels, intelligent, loyal, and built to deter any threat.

 But where did they go? Were they wiped out in the cataclysms remembered as the flood, hunted to extinction by the very gods who made them? Or were they taken back to wherever those gods came from, leaving only fragments behind? Deep beneath the sands of Sakara, Egypt, lies the Sarapum, an underground catacomb carved across centuries. rediscovered in 1850 by August Marriott.

When he uncovered it, he found several massive granite sarcophagy. Each weighed between 40 and 62 tons carved from hard stone like diorite and slid into place. All empty. No mummies inside. Just enormous sealed boxes buried in the dark.

 In the modern age, we found traces that don't fit comfortably into the story we tell ourselves. Elongated skulls scattered from South America to the Caucasus. Bones with proportions that defy human anatomy? And if you go further, much further, could some of the fossils we call dinosaurs actually be the remains of ancient hybrids? skeletons pieced together not from nature's slow evolution but from deliberate design.

 The evidence is scattered, the connections elusive. But the pattern is there in stone, in bone, and in myth. If the hybrid guardians of the ancient world were erased, it wasn't by accident, and it may not be forever. Some doors are locked for a reason. What happens when we open them again? Tune in next time to the Anunnaki connection. Good night.

 I have been at work for some time building an apparatus to see if it is possible for personalities which have left this earth to communicate with us. Not by any occult, mystifying, mysterious, or weird means such as are employed by so-called mediums, but by scientific methods. Thomas Edison, not the lone genius history books like to claim, but a ruthless businessman who built an empire on other men's patents. Still, even Edison couldn't escape the pull of the unknown.

 In 1920, he spoke of a new invention. what the press called a spirit phone, a device he believed might let the dead speak through machines. Since 1878, Edison had been a member of the Theosophical Society, a movement that mixed science with ancient mysticism. At its center was a woman unlike any the modern age had ever seen.

 Helena Petrrona Blavatski, a Russian mystic who claimed to channel hidden masters from beyond the Himalayas. A writer who sought to weave east and west into one great philosophy. A woman who divided the world, hailed as a prophet, condemned as a fraud, but never ignored. Helena Bllovsky claimed to channel wisdom from beyond this world. The question is, who was she speaking to? [Music] Helena Petrovnlavski was born in 1831 in Yakatarinoslav, today's Denipro, Ukraine. She came from nobility.

 Her father was Colonel Peter von Han, a Russian officer of German descent. The Von Han line was part of the Baltic German nobility with a long record of military service to the Russian Empire. And her mother, Helena Andrea Nefa, a novelist who died young. She was from the Dolgarukov family, one of the most ancient and prestigious noble houses in Russia with roots going back to medieval princes. But young Helena was no ordinary child.

 From an early age, she claimed to see things others could not. apparitions, forces moving in the shadows. She had an uncanny gift, what her family called second sight. Servants whispered that the girl was protected by unseen powers. By adolescence, her strange abilities only grew stronger. She seemed fearless, reckless even, often riding wild horses with no saddle, or slipping into trances where she spoke of visions no one could explain.

 The natural world, stones, rivers, and forests felt alive to her. She believed they carried voices, messages from beyond. But these experiences were not dismissed as childish imagination. They were the first signs of a life that would be consumed by the occult. At 17, Helena entered into an arranged marriage with Nikaphor Vasalevich Bllovzki, the vice governor of Aravan in Armenia.

 He was nearly 40 years her senior. Within 3 months, she fled the Union. Some say on horseback in the dead of night, escaping to her family and then out into the wider world. That flight set her on a different path, one of endless travel. From Constantinople to Egypt, from Europe to India, she wandered for decades, driven by visions and a hunger for hidden wisdom.

 It was the beginning of the quest that would ultimately shape her destiny. [Music] After her escape, Helena began to wander. From Aravven she moved south through Constantinople and into the wider world. What followed is one of the most important periods of her life. A span of decades where history and myth blur into one.

 Some say she joined a circus in Tifflas, mastering the art of trick riding, taming wild horses with a fearlessness that stunned crowds. Others insist she disguised herself as a man, crossing borders that would have been impossible for a woman of her station. There are tales of shipwreck in the Aian, where she nearly drowned before washing ashore, and whispers of secret initiations in Egypt, rituals hidden behind temple walls, passed down by adepts guarding ancient knowledge.

 Whether these stories were literal truth or carefully woven myth, one thing is certain. She wandered farther than most women of her century could even imagine. Driven by visions, haunted by unseen forces, and guided, she claimed, by the hand of a master. Helena said she met him first as a vision in childhood, a towering figure she called Moria.

 Now, during her travels, she claimed to meet him in the flesh, an adept from the east, one of the mysterious Mahatma who would shape her mission. Blavsky insisted she was never working alone. Behind her, she said, stood the Mahatmas, the masters of wisdom.

 For decades, she moved through Constantinople, Greece, Egypt, India, and back again. She claimed her travels were guided by the unseen hands of these masters, hidden adepts who guarded the oldest truths of humanity. The most important of them was Moria, a towering figure she first claimed to see in childhood visions and later in the flesh during her travels in India. Alongside him was Cut Humi, another Eastern adept whose teachings, she said, reached her through letters that appeared in impossible ways, sometimes materializing directly onto paper as if dropped from another world. To her critics, they were inventions.

But to Helena Blavatski, they were the very source of her mission. To deliver fragments of an ancient wisdom tradition that had survived the fall of Atlantis, Lamura, and countless forgotten ages. In 1871 in Cairo, she made her first attempt to gather followers. She founded a spiritualist group she called the Soiete Spirit, but it collapsed within months, plagued by fraud, quarrels, and scandal. Still the seeds were planted.

 Helena Bllovatzky was beginning to test her power to draw others into her orbit. In 1873, Bllovzky arrived in New York, a city buzzing with seances and mediums claiming to speak with the dead, but she dismissed them as frauds, insisting they misunderstood the forces they were playing with.

 Here she met Colonel Henry Steele Ol, a lawyer and journalist drawn to the paranormal. Together with William Quan Judge, they founded the Theosophical Society in 1875. Its aim was radical for its time to unite science, philosophy, and religion to promote the brotherhood of all humanity and to explore the hidden laws of nature. In just 2 years, Blavsky would publish her first great work, Isis Unveiled.

 It challenged the materialism of science, the dogma of religion and introduced the west to the vast cosmologies of the east. It was the beginning of a movement that would ripple across the world. This was the turning point. The wandering mystic had become a leader and the teachings of the Mahatma were about to ripple into the modern world.

[Music] two massive volumes, nearly 1,300 pages. It was nothing less than a war cry against the world of her time. She attacked modern science for its arrogance, for reducing the universe to dead matter and blind chance. She attacked Christianity for twisting older truths into dogma. And she insisted that behind all religions, behind every mythology and philosophy, there existed a single current of ancient wisdom. A wisdom guarded by hidden initiates stretching back to Egypt, India, and Atlantis. She pulled

from hermetic texts, the Cabala, Gnosticism, Hinduism, Buddhism, and more. The message was clear. All traditions were fragments of one great truth. She spoke of astral and psychic forces, unseen energies science had yet to measure. She spoke of reincarnation and karma, saying the soul passed through cycles far older than the church would allow.

 To spiritualists, she said their seances were real, but that they misunderstood the forces they played with. To scientists, she warned their discoveries were only the surface of deeper laws. She claimed she was not the author, but the channel. The Mahatma, the hidden masters, were behind the work. Some said she wrote in transances, pages flowing as if dictated from beyond.

 Though their presence was not yet explicit, their fingerprints were all over the text. Isis Unveiled was presented as a master key, and the masters themselves were the silent architects of its knowledge. The first volume, science, opens with an attack on modern materialism. She accused science of arrogance, of reducing reality to lifeless matter while ignoring psychic and astral forces.

 Here she introduced the idea of the inner man, a spiritual core beyond the physical body, and hinted at reincarnation and karma, ideas that would later become central to theosophy. She argued that hidden laws of nature were already known to the ancients. The phenomena studied in seances, she claimed, were real, but the mediums misunderstood the forces they were tapping into. To her, these were the echoes of a far older science.

 the wisdom religion. The second volume, theology, turned her focus to religion. Blavsky dissected Christianity, accusing the church of corruption and sorcery, and insisted that its doctrines were only fragments of something older.

 She compared the faith to Hinduism, Buddhism, Zoroastrianism, and the mysteries of Egypt, arguing they all traced back to a single primal source. To her, the veiled goddess Isis was the symbol of nature itself, hidden, secret, waiting to be revealed. Philosophers and priests only glimpsed her veil. Theosophy, she declared, sought to lift it. [Music] HPB did something I think that people don't fully appreciate it.

 But what she did was quite unique in the world of literature. She made a rum of all the old classical traditional knowledge of this subject that had ever been in the world or written up in books. And she went to the trouble of finding all the old scriptures, all the old systems of philosophy, all the old religions, and all the great sages.

 And she somehow or another acquired a knowledge of what they said and put it all together. The main part of these teachings, these philosophies was of course eastern. India in the late 1870s was a vast and fascinating world of contradictions where the ancient east met the western influences of the British Raj.

 Lavatzky and Alcott traveled extensively around the subcontinent to promote interest in her great work. They eventually established in the south at Adya near Madras the headquarters for the Theosophical Society. At a time when India was simply the backhole of Kolkata or Sati or infanticide, they saw a vision of India. They saw the magic of India.

 They saw beyond the poverty and filth that we still hear today. They saw the thing that drew people and still draws people from the Beatles down to any person who comes today. That magic that magic that still exists in India. And I think this is why the society also still has a headquarters in India. that from here I think more than anything else she contributed to the image of India in a remarkable way in the sense that India not just the country or locality but India in the sense of a a state of mind.

 Lavatsky was developing a reputation for producing astounding psychic phenomena. In an empty room bells would ring, furniture move. Most importantly, letters written to her and her associates by the masters were aborted. I found it difficult to understand at first how someone who was attacked by the spiritualist of whom she so disapproved could at the same time herself receive phenomena.

 You can't really discuss HPatski without the phenomena. She did produce phenomena. Again, she pointed to the fact that this was not her chief aim, but it it did gain the attention of the world. Were she hoped that by demonstrating these faculties that she would inspire people with interest to explore the teachings and the ideas that she sought to propagate to humankind, she found that people when presented with phenomenon were simply excited by that and they didn't seek to go any further.

That's a great pity. So she really turned away from that. I think u from those who were around her at the time they had no doubt that she was very capable. But this fact alone put her in the midst of controversy. Controversy that was to in in a way work against her altruistic mission which was to teach man about the spiritual science and about man's latent capabilities that he could draw draw upon.

 So, it worked for those around her, but it became a two-edged sword. Yes, I think her there's plenty of evidence that she did some amazing things that would excite the parasychologist of today, but it didn't serve the purpose to which she hoped, which was to draw people towards the understanding and the questions, the great questions that man has always asked.

 What am I? What is it about human nature that can make these phenomena possible? [Music] ISIS Unveiled made Helena Bllovzky a sensation, but fame came with a price. From the moment the book appeared in 1877, critics pounced. Good heavens, what is this nonsense? Academics accused her of plagiarism, pointing out entire passages lifted from encyclopedias, histories, and obscure occult texts. Spiritualists denounced her for dismissing mediums as frauds or fools.

And scientists ridiculed her insistence that astral forces and psychic energies were more real than atoms. The press labeled her everything from a fraud to a witch. She became a magnet for controversy, admired by her followers, attacked by everyone else. In 1879, Blavatzky and Henry Olcott sailed to India and established the Theosophical Society's headquarters in Adiar near Madras.

Here, Theosophy attracted thousands, Hindu reformers, seekers from the West, and curious officials of the Raj. For a time, she seemed unstoppable. But the backlash followed. In 1884, the Society for Psychical Research in London sent investigators to examine her alleged phenomena.

 Their report published in 1885 branded her one of the most accomplished impostors in history. The scandal nearly destroyed her reputation. Her health collapsed. She fled India, first to Europe, then to London. By the late 1880s, she was in chronic pain, chain smoking, and often bedridden. Yet even then she refused to stop.

 In this storm of controversy, she began her greatest work. A book that would not just defend her vision, but expand it into a complete cosmology. In 1888, Helena Blavatsky published the work that would define her legacy, The Secret Doctrine, the Synthesis of Science, Religion, and Philosophy. Another two immense volumes running over 1500 pages written in London while she was in failing health.

 She chains smoked as she dictated, often from her sick bed. Friends described her coughing, pale, exhausted, but still thundering with words as if they were not her own. to her followers. She was not the author but the channel. She said the Mahatma guided her hand and that the text was built on the stanzas of Jan verses from an ancient book preserved in Tibet written in a sacred language called Senzar.

 The secret doctrine was nothing like Isis unveiled. Where that book attacked science and theology, this one set out to replace them. It presented a complete cosmology, a hidden history of the universe and of humanity itself. The structure was divided in two. Volume one, cosmogenesis, explored the origin and structure of the cosmos.

 Volume two, anthropogenesis, traced the hidden evolution of mankind. Together, they formed what Blavodsky called the wisdom religion, the primordial truth behind all faiths, myths, and sciences. Cosmogenesis was Bllovadsky's vision of the universe, how it came into being, how it evolves, and the laws that govern it. At its heart was the claim that the cosmos is not lifeless matter but living spirit.

 The universe, she said, comes into being through endless cycles, vast rounds of birth, death, and rebirth. Hinduism calls them manvantas and prallayas, ages of manifestation followed by ages of rest. Creation is not a single event but a heartbeat pulsing through eternity. She spoke of plains of existence, visible and invisible worlds woven together in a vast hierarchy.

 What science saw as empty space she called a pleum of hidden forces. Every atom of matter she wrote is alive with consciousness. Karma too was not just personal law but cosmic law. Entire worlds rise and fall under its balance. Civilizations, planets, even stars obey the same justice that governs the soul. The secret doctrine begins with nothingness.

 The universe, Blavzky wrote, begins in a state of absolute non-being. No light, no mind, no time, just one breathless, boundless presence. She preserved an ancient stanza that reads, "Nor ought nor not existed. Yawn bright sky was not. The only one breathed breathless by itself." From this invisible void emerges a seed, a germ, the root of the world, still hidden in universal stillness.

 Creation begins not with form but with pure potential. The universe was still concealed in the divine thought in the divine bosom. Then the cosmic night stirs like a lotus unfolding. A single ray pierces the darkness. The eternal egg begins to hatch. Darkness radiates light and light drops one solitary ray into the mother deep.

 The eternal egg condenses into the world egg. From within it, a force appears. Fhat, the fiery whirlwind, the cosmic energy that binds spirit to matter. He drives the sparks of consciousness into motion, spinning them into suns and worlds. They make of him the messenger. Fohad is the steed and the thought is the rider.

 He places them in the six directions of space and one in the middle, the central wheel. Planes of existence unfurl in concentric wheels, layered realities animated by divine hierarchies. And within this unfolding, souls called sparks begin their descent. Some accept form while others refuse, creating separation, suffering, and the first cosmic rebellion.

 At the fourth, the sons are told to create their images. One/3 refuses to obey. The curse is pronounced. They will be born on the fourth. Suffer and cause suffering. This is the first war. At last, life emerges in layers, divine, spiritual, and human. Matter, spirit, and consciousness fuse into one vast wheel of becoming.

 This was the hidden story of creation itself. A universe born from darkness into light. A cosmology as ancient as the stars. Preserved, she claimed, in the secret stanzas of Gian. Cosmogenesis explained how the universe itself was born. And the next step was even more ambitious. Bllovadsky turned to humanity.

 She explained how our species did not simply crawl up from the mud by blind evolution, but emerged in stages, vast epics of transformation guided by a cosmic law. She called these stages the root races. Seven great cycles of mankind stretching from ghostlike beings of pure light through giants of myth and lost civilizations down to the humanity we know today and beyond into futures yet to come.

 In her vision, this hidden history of the root races was the true story of our origins and our destiny. The first root race, Blovatzky wrote, were astral beings unlike anything we would call human today. beings of pure ether, projections rather than flesh, forms spun out of astral substance. They were vast shadow presences lacking bones, blood or physical density.

 The first attempts at humanity, the outlines or prototypes cast directly from divine imagination. They reproduced not through physical union but through a process of budding, dividing like cells or splitting like crystals. They were dreamlike, moving across the earth in silence. Ethereal phantoms existing on a plane between spirit and matter.

 Their destiny was to dissolve, to leave behind faint echoes, paving the way for denser forms to follow. The second race, called the Hyperoreans, grew heavier and denser than the first, though they still retained an almost otherworldly subtlety. These beings lived in a mythical land of eternal spring. A place without night, hunger, or death. Bllovatzky placed it in Hyperoreia, a continent at the pole, long since vanished.

 They were not yet human as we know it, but they were closer, shimmering figures formed of light infused matter. The Hyperoreans reproduced not through sex, but through budding and exudation, a more material process than their predecessors. They were tall, radiant, luminous, and lived in harmony with the forces of nature. To Bllovatzky, they represented a bridge between pure astral spirit and the dawn of physical humanity.

 The third root race was known as the Leamrians. These were giants, some said as tall as trees, their forms massive and powerful, straddling the line between myth and nightmare. At first, they were androgynous, embodying both male and female principles within themselves. But in this epoch, something changed.

 For the first time, humanity discovered sexual reproduction. With that discovery came the burdens of passion, conflict, and mortality. But it was here, Blavzky taught, that the true drama of humanity began. The Lamrians were given mind. into their vast frames descended higher beings, the sons of mind, who awakened self-awareness within them.

 It was a moment of intervention, a divine spark entering matter. To some, it was a gift of knowledge. To others, a fall from innocence. This was the first echo of the Prometheian myth, of the watchers in the book of Enoch, of the Anunnaki descending from the heavens. It was here in Lamuria that man became conscious of himself and history, a cult history began.

The fourth root race was Atlantis. According to Blovatsky, this was a vast civilization of immense power, advanced in both technology and psychic ability. The Atlantanss mastered forces now forgotten. Harnessing energies beyond our science, communicating by thought, shaping matter with will, they built cities of splendor.

 And for a time, their glory surpassed all. But power brought corruption. The Atlantanss grew arrogant, intoxicated by their abilities, and turned their gifts to domination. The great flood myths of the world, from the Bible to sumeare to Plato's dialogues, echo their fall. In Bllovzky's telling, Atlantis was destroyed in cataclysm.

 Earthquakes, fires, and floods swallowing continents. The few survivors scattered across the globe, seeding the myths of gods and giants in every culture. Their downfall marked the end of an age, but their legacy, both noble and cursed, lived on in us. The fifth root race is our present humanity.

 the Aryans, as Blavatzky called them, using the old linguistic sense of Indo-Uropean peoples. For her, this race represented the age of intellect, culture, and the flowering of philosophy and science. It was a stage of development, not a final form. Humanity caught between its Atlantean inheritance and its future transformation.

 This race, she said, is meant to refine mind and master the external world, but it remains deeply flawed. Still ruled by ego, still divided by nations, wars, and material obsessions, the fifth root race stands at a crossroads. It is the humanity we know, but not the humanity we are destined to become. Blavsky foresaw two more races to come. The sixth would be luminous beings of intuition and telepathy, free from division, heralds of a golden age.

 The seventh would be perfected humanity, radiant and divine, returning to spirit as the cycle comes full circle. In her vision, mankind's story is not an accident of evolution, but a cosmic pilgrimage from light into matter and back again. [Music] [Music] The pattern is ancient.

 In Sumere, the Anunnaki descend and fashion mankind from clay mixed with their own divine essence. In Genesis, the Elohim declare, "Let us make man in our image after our likeness." And in the book of Enoch, the Watchers descend, altering human destiny by teaching forbidden knowledge. Each tradition tells the same story that we became human not by chance, but by intervention. Blavsky never used the word Anunnaki, but the pattern is unmistakable.

 Her sons of mind, her masters, belong to the same archetype. Higher intelligences descending, instructing and shaping humanity. Blavatski said she was in contact with hidden adepts, the Mahatmas, especially Moria and Cutumi. She described them as living in Tibet, keepers of the ancient wisdom, directing her mission.

 To her followers, they were real men of flesh and blood. To skeptics, they were inventions. But what if they were something else? If we set aside the Victorian imagery, the masters may fit into a much older tradition of intermediaries, messengers, watchers, Anunnaki, not gods, not men, but something in between.

 Guardians of forbidden knowledge, moving behind the veil of history, working through chosen emissaries like Blavatsky. The question is whether Blavsky's Mahatma were Himalayan mystics or whether she had tapped into the same current of influence that cultures before her had called angels, titans or Anunnaki. In every tradition, humanity's leap into awareness is explained not by chance but by intervention.

 In Blavzky's theosophy, as in Enoch, as in Sumer, we find the same story. The descent of higher beings and the dawn of mankind. The only question left is who they truly were. [Music] Man cannot perceive wisdom. He cannot understand his meaning because the basic keys to his knowledge are still unknown to him. [Music] In 1880, this parcel of land in southern India near Madras was purchased by a Russian woman.

 A woman who dream of the day when people from different parts of the world will gather here under one roof to support each other in their search for wisdom and truth to discover their inner power and provide a service to humanity by fighting against ignorance to lessen the burden of suffering in the world through the dissemination of divine wisdom. [Music] This world famous woman was an enigmatic person even for those who thought they knew her well.

 For some, she was a great being who succeeded in reaching the highest levels of wisdom and illumination. A woman who explored new paths in the development of humanity. For others, she was a heretic who advocated the eradication of all religious creeds. There were those who saw her as an example of mercy and compassion. Others thought her ruthless.

Some referred to her as a woman of endless patience. To others, she was known for her explosive anger. It seems that there were no emotional or personality traits lacking in the complex personality of this woman. [Music] In April 1878, Thomas Edison quietly signed up as the 162nd member of the Theosophical Society after receiving ISIS unveiled from Olcott and Blavatzky. He even added a note.

 I shall read between the lines. The encounter left a mark. Edison had already been experimenting with what he called etheric force, a subtle energy he believed might connect matter and mind. At his lab that year, he tried to move a pendulum with will alone, using metal wires and fluids as conductors from his forehead.

Like Blavzatsky, he believed that matter might not be inert. Perhaps every atom contained intelligence. She even cited him in Isis Unveiled, quoting him on Adam's subtle relationships. Decades later, in 1920, Edison publicly revealed he was working on a spirit phone, a device intended to communicate with the afterlife.

 He insisted it would be scientific, not a cult. But the ambition echoed his earlier curiosity about unseen forces. Edison didn't build his spirit phone, but in a way, Blavzky did. Through the secret doctrine, she mapped the cosmic codes of mind and matter. Both were haunted by the same question.

 Could the invisible be made visible? Helena Petrovnablavski died in London in 1891. To her enemies, she left behind a trail of fraud, scandal, and unanswered questions. But to her followers, she opened a doorway to wisdom older than history. Her theosophical society endured long after her death, spreading across the world. In India, it inspired reformers who saw in her teaching a bridge between east and west.

 A young Muandas Gandhi read Theosophical texts and later said they opened his eyes to the depth of Hindu tradition. In Europe, poets like WB Yates, artists like Wasali Kandinsky, and philosophers like Rudolph Steiner drew on her vision. Even scientists like Albert Einstein kept the secret doctrine on their shelves, curious about her cosmic imagination.

 Was she chosen by hidden masters? Or did she invent them to give voice to her own genius? Was she a messenger of the divine or a magician of myth? What is certain is this. Helena Petrovna Blavatzky changed the way the world dreams of its origins. She dared to lift the veil of ISIS to speak of masters behind the curtain of history and to give us a story of humanity that stretched from the stars to the soul.

Was Helena Blavzki a messenger of higher powers or simply a mirror of humanity's oldest dreams? Join us next time as we peer deeper into the void of history on the Anunnaki Connection. Viewer discretion advised. [Music] A young pilot from Memphis who attempted a solo flight to all seven continents is being detained in Antarctica.

 Flying into a legal storm, 19-year-old Ethan Guo has landed himself in deep trouble after he touched down in Chilean Antarctica. Hauled before the courts after making an unauthorized flight. On June 28th, 2025, a small Cessna 182 takes off from Punta Arenas, Chile. At the controls is Ethan Guro, a 19-year-old American pilot. Ethan's mission to land on every continent to raise funds for childhood cancer research.

 By all accounts, his mission is courageous, noble, and meticulously planned. But shortly into his flight, Ethan deviates sharply from his official flight path, altering his course southward toward one of the most restricted and heavily monitored locations on Earth, Antarctica. Without authorization, Ethan lands at Chile's Lieutenant Rulo Marsh base on King George Island.

 He is swiftly detained by military personnel, his aircraft grounded, and within hours, Chilean authorities announce an official investigation. The stated charge, violation of international airspace and falsifying his flight plan. Ethan insists it was an emergency, an unavoidable response to mid-flight complications. But authorities are unconvinced. Antarctica has long been more than just a frozen wasteland.

 It's a continent wrapped in secrecy, subject to tightly controlled treaties and military oversight by nations around the globe. For decades, rumors have persisted of something extraordinary hidden beneath its miles of ice. Ancient structures, lost civilizations, secret military bases, and perhaps even evidence of advanced beings who visited Earth long before recorded history.

 Did Ethan fly too close to something he was never supposed to see? For decades, anyone who approaches Antarctica without explicit permission risks swift consequences. Just begging us to ask what might lie beneath the continent's icy surface. Ancient pyramids sealed away for millennia. Portals capable of bridging distant worlds.

 Technology far beyond our modern understanding. Perhaps even traces of a lost civilization or extraterrestrial encounters. Ethan's story asks the unavoidable question. If there's nothing to hide, why silence a teenage pilot on a charitable mission? What secrets lie waiting beneath Antarctica's ice? And how far are the powers in control willing to go to keep them from ever being revealed? Antarctica, a continent of ice.

 But what secrets lie frozen beneath? And what are they trying to hide from us? [Music] Oh, [Music] [Music] Good evening. This is Frank Knight. May I introduce our co-editors for this edition of the Lonene Chronoscope. Larry Lasser, CBS News correspondent and Kenneth Crawford, national affairs editor of Newsweek magazine.

 Our very distinguished guest for this evening is Admiral Richard E. Bird. Our guest tonight found out whether there was any land north of the North American continent. He made that first discovery flight. And I must say that Admiral Bird, our guest tonight, is not only our greatest living explorer, but he's been an inspiration to countless Americans.

 Admiral Bird, you've been to both the North Pole and the South Pole. Is there any unexplored land left on this earth that might appeal to adventurous young Americans? Uh, yes, there is. and not up around the North Pole because it's getting crowded up there now because they find out it's really usable not only to live in but militarily.

 But strangely enough, there's left in the world today an area as big as the United States that's never been seen by a human being. And that's beyond the pole on the other side of the South Pole from middle America. And it's I think it's quite astonishing that there should be an area as big as that unexplored. That's a tremendous. So there's a lot of adventure left down at the bottom of the world.

Admiral, do you hope to see that? I do. In late 1946, the United States Navy launched a mission to Antarctica unlike anything before or since. Operation High Jump. A full-scale naval task force. 13 ships, 33 aircraft, over 4,700 men, a full carrier group with destroyer escorts, all deployed to the most remote and hostile continent on Earth. In command was a man the American public already knew well.

 Rear Admiral Richard Evelyn Bird, the same man who had flown over the North Pole, the same man who had built the first permanent US base on the Antarctic continent. So when the Navy wanted something done in the deep south, they sent Bird. Officially, the mission was about testing equipment in extreme cold. Field exercises, logistics, training.

It was supposed to last 6 months. It ended in just 8 weeks. No public explanation, just a quiet withdrawal and vague statements about weather. Those who were there tell a different story. They said one of the planes was lost under strange circumstances, that radio contact was broken mid-flight, that certain logs were never entered, and they say Bird himself took off on a final reconnaissance flight alone. February 19th.

 That's the date on a document that appeared decades later. A document with no official Navy stamp, no confirmation, but a story that refuses to die. A private flight log. Bird's alleged diary passed hand-tohand in photocopies, circulated among researchers, dismissed by many, but never fully debunked. What it describes is something no US official ever admitted publicly.

 And what it suggests is that Bird saw something no one was meant to see. February 19th, 1947. Admiral Richard E. Bird lifts off in an R4D from Little America for a solo photo recon flight. Weather is clear. Temperature -30° F. 20 minutes in, the magnetic compass and gyro both drift. Radio contact drops. The aircraft begins a slow, uncommanded turn south.

 Through a break in low cloud, Bird records an unexpected sight. A broad valley free of snow, green slopes, and open water. Cockpit thermometer rises rapidly to 70° F. Two metallic discshaped craft appear off each wing tip. They match speed and guide the R4D toward a flat illuminated strip inside the valley.

 Engine controls respond, but require no input during descent. After landing, bird is met by tall figures, human in outline, pale and calm. Communication is direct and clear without visible speech. They identify their settlement as an inner polar refuge. Their message is straightforward. Surface nation's development of nuclear weapons poses a threat to planetary stability.

 The warning must be delivered. Approximately 3 hours after touchdown, Bird is returned to the aircraft. Instruments read normal. Fuel tanks show full. The escort craft depart vertically at high speed. Bird exits the valley through dense cloud and regains radio contact. He completes the flight with no additional anomalies.

 Back at base camp, he drafts a private log of the events and files an official report that omits the incident. The log is sealed. Its current location is unknown. And in 1957, Admiral Bird dies. His personal papers are sealed. His logs are archived. And the supposed diary is never seen in physical form again.

 The missing flight log of Admiral Bird, sometimes titled Admiral Bird's Secret Diary or Flight Log February 19th, 1947, first appeared in 1990, published in Timothy Green Beckley's Global Communications, which specialized in UFOs, New Age, and Suppressed Information. The text is presented as if it were a direct transcription of Bird's private journal, complete with dates, first person entries, and a final emotional confession. This last entry, I must write quietly and with great discretion.

I now close this diary. I must state here that I have faithfully kept this matter secret as directed all these years. It has been completely against my values of moral right. Now I seem to sense the long night coming on, and this secret will not die with me. But as all truth shall, it will triumph.

 There is no official record of that flight, no crew logs, no mission debrief. Only the diary, circulated years later in fringe publications and later uploaded to early internet forums. Mainstream historians call it a hoax. Operation High Jump did end months ahead of schedule with little explanation. Bird did go on television years later, warning that the United States might one day face fastmoving threats from the Poles, and there are still places in Antarctica that remain off limits, even to modern researchers. So, where did the diary come from? Was it real? A fabrication? a distorted

retelling of something that actually happened. There are no easy answers. Bur may ask you, is there a great difference between the top of the world and the bottom of the world? Uh, there is. Now, the North Pole is the center of an ocean 10,000 ft deep. The South Pole, the center of a plateau 10,000 ft high.

 The north pole of sea is surrounded by continents slightly frozen. The Antarctic continent is surrounded by uh a belt of ice. Frozen seas of at least 1200 miles thick. Now the south is a plateau. It gets in some places 14,000 ft up. Uh I've been over areas about 13,000 and it's a little bit chilly up there. [Music] Antarctica was supposed to be the one patch of earth nobody could carve up.

 In 1959, a dozen nations sat down in Washington and signed the Antarctic Treaty. Article 1 iced all military claims. Article 2 promised open science. And Article 4 shoved territorial ambitions under the rug for the duration of the pact. Sounds noble until you read the fine print. The treaty doesn't ban soldiers, only hostile activities.

So every summer, C17 cargo planes stuffed with uniform troops thunder into McMurdo for research logistics. The runways are built, maintained, and guarded by the same people who run forward bases everywhere else on the planet. peaceful branding, military hardware, tourists.

 They're funneled through a single chokepoint system run by the International Association of Antarctica Tour Operators. If you want to set foot on the ice, you must book one of their ships, land at their approved sites, and follow a script down to how many minutes you're allowed to stand near a penguin. Step off the corridor, and your permit issued by your own government. evaporates.

Above the ice lies the real curtain. Flight restrictions. No travel brochure mentions. The US Air operations manual draws a literal wedge over the South Pole. NFZ sector 2. Any aircraft manned or unmanned must stay outside that slice of sky unless on official NSF business. The coordinates drift with the ice sheet, but the rule never moves. Do not overfly the atmospheric lab.

Why quarantine a patch of air in the most remote place on Earth? Officials say it's to keep jet exhaust away from sensitive climate instruments. [Music] 280 million years ago, before it was a frozen desert, Antarctica was part of the superc continent Gonduana, connected to Africa, South America, India, and Australia.

 Back then, Antarctica wasn't white. It was green. Ferns, forests, rivers. Fossils show that once conifer trees grew here, even flowering plants. Some parts stayed temperate year round. Scientists have found the remains of ancient amphibians and even dinosaurs buried beneath the rock. But then came the cold. Roughly 34 million years ago, Antarctica broke off and drifted south.

Ocean currents shifted. The climate crashed. Glaciers formed. Ice took over. Now 98% of the continent is buried under a shell of ice more than a mile thick. That ice has secrets. There are places here where it hasn't snowed in 2 million years. The McMmero Dry valleys are so barren and windswept. Scientists call them the closest thing to Mars on Earth.

The blood falls. It pours out from the mouth of a glacier, bright red, staining the white ice. For years, no one could explain it. People thought it was algae. Some called it rust. A leak from an underground system we don't understand. Turns out it's ironrich brine from a subglacial lake sealed beneath the ice for millennia, carrying microbial life that survives without sunlight, oxygen, or heat.

 Beneath the surface of Antarctica are hundreds of lakes connected by underground rivers and pressurized chambers. Radar scans show mountains taller than the Alps buried under the ice. In West Antarctica, NASA found a growing void beneath the Thuait Glacier, a hidden cavity the size of Manhattan. The ice above it is melting from below, and no one can explain why it's happening so fast.

 New data now shows that parts of the continent are thawing and turning green. Satellite images show the Antarctic Peninsula, the northernmost finger of the frozen land mass, now supporting roughly 12 square km of mosses, lychans, and algae. That's 10 times more than it was in 1986. And the increase has accelerated by over 30% between 2016 and 2021.

[Music] From above, they look almost perfect. Sharp angles, four triangular faces, snow-covered peaks rising from an otherwise barren sheet of ice. A formation in Ellsworth land, not far from the Heritage Range, where three peaks rise from the ice in a pattern that to the eye looks almost geometric. Skeptics say they're just mountain peaks that stick through the ice, sculpted by millennia of glacial wind and erosion, maybe.

 But if that's true, why do they appear almost identical in shape and proportion to the pyramids of Giza? And why are there three lined up along a similar axis? Researchers have noted right angles and symmetry in adjacent ridges, features rarely seen in natural mountain formations. They are located near Lake Union Glacier in one of the few zones of Antarctica that satellites have trouble penetrating with consistent clarity.

 Based on available satellite measurements and elevation models, the estimated size of the main Antarctic pyramid is staggering. It stands approximately 2,000 m tall, about 6,600 ft, making it taller than Mount Kosuso in Australia. Its base width is estimated between 1 to 2 km per side, giving it a footprint that's 10 to 20 times larger than the Great Pyramid of Giza.

 What are the odds that erosion carves a structure with the same precision as the pyramids of Egypt? That three of them appear in a formation? That they're located in one of the least studied zones on Earth? Antarctica wasn't always ice. We know that it was green, temperate, teeming with life. If there was an ancient civilization here, pre flood, prehistory, pre ice, isn't this exactly the kind of structure they'd leave behind? Massive, immovable, geometrically coded, built to outlast everything. Maybe they left something inside.

[Music] The pyramid formations sit at 79° 58 minutes 39.2 seconds south and 81° 57 minutes 32.2 seconds west in Ellsworth land west Antarctica. Between 2012 and 2016, Google Earth users reported high-res satellite views were being blurred, downgraded, or even removed, especially after media attention increased.

 Rumors persist of deep underground structures beneath the pyramids, either left by ancient builders or currently occupied by hidden research bases. [Music] In the early 1500s in the heart of the Ottoman Empire, we meet Admiral Piri Race, full name Ahmed Muhidden Piri, a seasoned mariner, master cgrapher, and respected admiral in the Ottoman Navy.

In 1513, he created something remarkable. A world map drawn on gazelle skin parchment showing parts of Europe, Africa, South America, and most controversially, a mysterious land mass far to the south, according to his own handwritten notes on the map's margin. He compiled it from over 20 ancient charts, including maps said to date from the time of Alexander the Great, lost works of Arab geographers, and even a chart made by Columbus himself.

The map would vanish from history for centuries, locked away in the Topcapy Palace in Istanbul. It wasn't until 1929 during a cataloging project in the palace library that historians stumbled across the artifact again. Brittle, faded, and only partially intact.

 But even the surviving third was enough to raise eyebrows around the world. Because that southern land mass, the one most claim is just artistic filler, appears to line up shockingly well with modern topographical scans of Queen Ma land, Antarctica. without the ice.

 In other words, the piri race map might be showing a version of Antarctica as it existed before it was frozen. A landscape not visible for at least 6,000 to 12,000 years. This wasn't discovered until the 1950s when a joint British Swedish survey team used seismic equipment to map the bedrock beneath Antarctica's thick glacial layers.

 To their shock, the coastline under the ice matched the outline from Perry Rac's map. If this map is accurate, then someone at some point in deep history saw Antarctica without ice. How was it mapped in the distant past by a lost civilization now buried under snow? Were aerial observations made in prehistory from advanced craft or satellite-like technology? Or were these secrets preserved and passed through forgotten libraries, hidden orders, or ancient survivors? Some believe the data came from Atlantean archives.

 Knowledge salvaged after a cataclysm, stored in scrolls, later inherited by Arab scholars and eventually by Ottoman navigators. Others suggest it was never human knowledge to begin with, but left behind by non-human intelligences like the Anunnaki or the Watchers who once surveyed this planet from above. Piri Race never claimed to understand the full power of what he'd compiled.

 He simply recorded what the older maps had shown. Even stranger, the coastline, the one matching modern seismic scans. It includes mountain ranges, inlets, even rivers. Features you wouldn't know from sailing the icebound coast. Mainstream historians say the Antarctica on the map is probably just a distorted South American coast.

 That the resemblance is coincidence. that the ancient charts Piri Rice used were just imaginative renderings by early explorers. Maybe. But this isn't the only map that hints at ancient knowledge of the south. Others, like the Arontius Fenus map from 1531, the Boache map from 1737, and even earlier TMIC models, also show a large southern continent, often with features uncannily close to modern Antarctica. It's as if someone once knew what lay beneath the ice.

 long before we had the tools to find out. If this information survived the fall of empires, if it passed through secret hands for centuries, what else might be hidden in the maps we've lost? [Music] What if the end of the world begins where no one lives? [Music] In 1938, with tensions in Europe building toward war, Nazi Germany launched an expedition to Antarctica.

 Its official goal, surveying whailing territory and securing natural resources. The ship was called the Schwaban Land, and it was equipped with state-of-the-art aircraft capable of launching from catapults, a flying fleet that spent weeks mapping the frozen continent from above.

 The Germans dropped thousands of metal darts, each emlazed with swastikas, into the ice, staking claim to a region they named Nushwaban. They mapped mountain ranges, photographed valleys, and then vanished. In the years that followed, rumors exploded. Rumors of a hidden Nazi base buried deep beneath the ice, shielded from the world, and protected by more than just secrecy.

 After World War II, strange reports began leaking from the southern ice. Military pilots flying near the South Pole claimed to see silver discs rising from the snow. Research stations reported unexplained radar interference, missing personnel, and lights dancing across the glaciers with no known source. The sightings didn't stop.

 In the 1950s and60s, as the Cold War ramped up, both Soviet and American teams reported objects in the sky behaving in ways no aircraft could replicate. In some cases, strange bioluminescent creatures were spotted moving under the ice. too large, too fast, too intelligent to explain. The sightings didn't stop. Some researchers described massive tunnel-like caverns revealed by satellite radar deep beneath the surface, places warm enough to harbor life, but entirely unreachable by conventional means.

In 2012, a Russian team drilling into Lake Vstto, a subglacial lake sealed off for 15 million years, claimed to have found microbial life unlike anything on Earth, and then abruptly stopped reporting. What is Antarctica hiding? A lost base, a buried civilization? One of the most circulated stories comes from a man named Cory Good who claims he was part of an off-world program.

 He states that massive crystallin portal structures lie beneath the ice and that Antarctica served as an ancient transit hub for beings from other star systems including Orion in declassified CIA materials and rumored offshoots of Project Looking Glass. There's reference to natural dimensional distortions, usually in deep, isolated, high energy geological zones.

 Multiple documents refer to the South Pole as one of these high interference locations, possibly linked to subsurface anomalies and geomagnetic disruptions. Some researchers claim that data from NASA's Grace satellite and ESA's GOC mission revealed unusual gravitational anomalies under Antarctica, especially near Wilsand.

 Some theorize this might not just be a buried impact site, but an energy vortex or collapsed wormhole, possibly artificially created, now dormant or damaged. The book of Enoch describes the ends of the earth where Enoch saw the gates of heaven open and a great abyss burning with fire. Many researchers suggest this could point to polar regions. Remote viewers trained under Project Stargate allegedly claimed to see structures under Antarctica that flicker in and out of visibility as if phasing between dimensions. Some say the real reason the continent is locked down by treaty isn't to

protect penguins. It's to guard a doorway. A doorway to another dimension. The ancient Greeks spoke of Terra Arralis incognita, the unknown southern land. They believed a massive southern continent must exist to balance the lands of the north. Philosophers like Tommy and Aristotle treated it as fact. But how did they know? The region had never been mapped.

 Some suggest it was a holdover from an earlier world memory. Then there's the Hindu concept of Patala, an ancient subterranean realm said to exist beneath the southern regions of Earth. Patala was home to the Nagas, serpent beings of immense knowledge and power. In Hindu cosmology, access to Patala was guarded and rare.

 Could this be a symbolic reference to a hidden civilization beneath the Antarctic ice? And in Buddhist and Jane traditions, we find tales of Shambala, a secret land hidden in the earth, accessible only to the pure of heart and spirit. While often associated with Tibet, Shambala was also said to be polar, sometimes described as a land of light at the ends of the earth.

 Theosophists in the 19th century even speculated that Shambala was a hidden sanctuary beneath Antarctica itself. The Norse myth of Ginongagop, the primordial void of ice and fire that existed before the world began. According to the Edas, life itself emerged from this glacial rift, a place older than the gods, older than time.

 Could Antarctica, with its strange geothermal anomalies and unexplainable warmth beneath the ice, be a realworld echo of that mythic void? The farther back we go, the blurrier the lines become between myth and memory. What if these stories from Tibet to the Andes, from Iceland to India, are fractured recollections of a civilization that thrived before the Earth shifted, before the poles froze, before the veil of ice fell.

 Some believe Antarctica could have been home to an ancient civilization, possibly Atlantean, Lamrian, or even Padamic. Others go further, pointing to texts and traditions that speak of sky gods, fallen beings, or advanced architects who vanished beneath the sea or retreated underground. Scattered across the continent are facilities never listed on official records. Some show up on satellite maps only to vanish a few weeks later.

 Others are hidden beneath the ice, connected by buried tunnels, sealed chambers, and forgotten runways. Why are certain coordinates off limits even to governments? Why are satellites restricted from photographing key areas? Why are so many nations desperate to maintain the Antarctic Treaty even now? And what exactly is being hidden beneath the oldest ice on Earth? Were the Nazis simply chasing myths? Or did they find something real? Is there truly an entrance to a hollow earth, a lost world buried in time? Were the Anunnaki here before the ice? Before the flood, did

they leave something behind? And why after all this time? Is Antarctica still off limits? Is it because of the weather? Or because of what's down there? Ancient ruins, prehuman civilizations, portals to another world? And if something is still watching, what happens when we finally dig too deep? Heat. Heat.

 [Music] [Music] [Applause] 3 2 1 We have ignition and we have liftoff. We have liftoff of the Titan Centaur carrying the first of two Voyager spacecraft to extend man senses farther into the solar system than ever before. Reports coming back indicate those twin large solid motors are functioning perfectly, producing 1.

2 million pounds of thrust each. Good evening, I'm Larry Kaine. Our big story on Eyewitness News is the live picture you see directly behind me. Suddenly, light and brightness out of a 24-hour darkness. The bright patchwork of the second night of the great New York energy crisis of 1977.

 Colia Pictures in association with EMI presents Close Encounters of the Third Kind. Star Wars, a billion years in the making, and it's coming to your galaxy this summer. On January 20th, 1977, Jimmy Carter took the oath of office as the 39th President of the United States. He promised a new era of honesty and government and a break from the politics of the decades before.

That summer, NASA engineers launched the twin spacecraft, Voyager 1 and Voyager 2, designed to leave Earth behind entirely. Each carried a golden record, a message in a bottle meant for whatever intelligence might find it someday somewhere in the vastness of space. On May 25th, Star Wars was released to theaters, igniting the public imagination with visions of alien worlds, galactic empires, and the hero's journey retold for a new age. Meanwhile, an occult revival that had been building since the 1960s came to a head.

Astrology, tarot, and mystical teachings were quietly returning to the mainstream. It was said that humanity was moving deeper into the aon of Horus, an age of awakening to greater truths. Then on August 15th, the Big Ear radio telescope at Ohio State University detected a signal from the direction of the constellation Sagittarius that bore all the expected hallmarks of extraterrestrial origin.

It lasted 72 seconds, narrow, focused, much stronger than the usual background noise, and then it was gone. Astronomer Jerry Aean reviewing the data, circled the spike on the computer readout and scrolled a single word in the margin. Wow. The signal has never been explained and was never heard again.

 [Music] Some messages come only once and then years later something comes again. Objects from beyond our solar system. The first was Umuam Mua in 2017. A long massive object from another star. It accelerated like a rocket as it left. The second came in 2019. Twoey Borosoft, an interstellar object with chemical fingerprints unlike anything born in our system.

 And now a third has been spotted. Threeey Atlas currently flying between the orbits of Mars and Jupiter. Three of them in just a few short years, each stranger than the last. And the third is coming now. What will happen when it arrives? Join us as we investigate these and other questions. This is the Anunnaki connection. Heat. Heat.

[Music] [Music] Okay. [Music] Are you okay? [Music] On the night of August 15th, 1977, the Big Ear radio telescope in Ohio was

scanning the skies as part of a long-term SETI project, the search for extraterrestrial intelligence. at 2216 Eastern time on a narrow channel centered around 1420 MGHertz, the frequency of neutral hydrogen, considered by SETI researchers to be the most likely beacon for an intelligent signal.

 The telescope recorded a burst unlike anything it had seen before. It lasted exactly 72 seconds. The length of time Big Ear could observe any one patch of sky before Earth's rotation carried it out of range. The signal's strength rose steadily for about 36 seconds, peaked sharply, then fell away symmetrically.

 This was exactly what you'd expect if the source were fixed in the sky and the telescope was moving past it. When volunteer astronomer Jerry Aean reviewed the printout days later, he almost fell out of his chair. He saw the numbers and letters representing the signal's intensity. 6 EQ UJ5 on Big Ear's alpha numeric scale.

 This meant the signal had hit a peak more than 30 standard deviations above the noise floor. In other words, it was strong, very strong, strong enough that Aean circled the sequence and scribbled a single word in red ink. Wow. That would forever become its name. The signal appeared to come from the direction of the constellation Sagittarius near the star group Chi Sagittari in a region not far from the globular cluster M55.

Due to Big Ear's dual feed horn design, astronomers could narrow the location to one of two very close points in the sky, but not tell which one. From the start, one detail made the event irresistible to SETI researchers. The frequency 1420 MHz is the natural emission frequency of hydrogen, the most abundant element in the universe.

SETI theorists had long argued that any civilization trying to make first contact would choose this channel because it's a universal marker. A beacon at this frequency would stand out as intentional. But the problem was repetition and the WOW signal never repeated, not once. In the years that followed, Big Ear itself tried listening to the same coordinates more than 50 times. Nothing.

 Other observatories tried too. The Very Large Array, the Oakidge Meta Array, the Greenbank Telescope, and more recently the Allen Telescope Array, and the Breakthrough Listen Project all aimed their ears at the same patch of Sagittarius. Still silence. Theories poured in. One of the simplest was that it could have been terrestrial interference.

 A stray radar signal or military transmission bouncing off a piece of space debris. Jerry Aemon himself considered this possibility, though the fact that the signal was so perfectly narrowband made it hard to explain as accidental. In 2016, a new theory suggested that two comets 266P/Christensen and P/208Y2 might have been passing through the area at the time, emitting radio noise from their hydrogen clouds.

 But the geometry didn't quite fit, and subsequent tests on similar comets found nothing at the hydrogen line. Most scientists dismissed the idea. What if the WOW signal was exactly what it looked like? A deliberate broadcast from an extraterrestrial intelligence. One possibility imagined by STI is that such a signal might be sent once then never again.

 Perhaps as a marker in time intended for a specific listener or as part of a sequence where the next message is not sound but something else entirely. Nearly half a century later, the signal remains one of STI's most tantalizing clues. A perfect example of the kind of transmission we've always hoped to find, and the kind that leaves us with more questions than answers.

[Music] Jupiter and Saturn. These giant planets and the moon surrounding them will be looked at close up by two 1,800 lb spacecraft loaded with cameras and scientific instruments. A mission that allows scientists to go back in time and sample the conditions from which the sun and the planets, including the Earth, are believed to have formed.

called Voyagers. The two 12- foot high NASA spacecraft are being prepared for launch, one in late August, the other in early September. A dish antenna 12 ft across will send back scientific and engineering information and receive commands from Earth. The nuclearpowered Voyagers will carry 11 scientific experiments, including television cameras, electron telescope systems to study cosmic rays, and radio receivers to investigate radio signals coming from the huge planets.

And if Voyager should sometime in its distant future encounter beings from some other civilization in space, it bears a message, a photograph record, golden, delicate, with instructions for use. And on this record are a sampling of pictures, sounds, greetings, and an hour and a half of exquisite music, the Earth's greatest hits.

 a gift across the cosmic ocean from one island civilization to another. The record bears in English uh an additional little handwritten greeting. It says to the makers of music, all worlds, all time. Voyager 1 and 2 embarked on a rare planetary alignment that occurs only once every 176 years. a chance for gravity assists to catapult them through the solar system with efficiency. The mission began with Jupiter.

 Voyager 1 arrived March 5th, 1979, and Voyager 2 followed in July. Then continued through Saturn, Voyager 1 on November 12th, 1980, and two in August 1981. Voyager 1 delivered shocking revelations. Erupting volcanoes on Io, active geology on Europa, intricate ring structures around Saturn, and unprecedented insight into planetary magnetospheres and atmospheres.

 Up till then, these worlds had been myth and mystery. Now they were real. After completing their flybys, the Voyagers simply kept flying past the outer solar system, past the heliosphere, and into interstellar space. On August 25th, 2012, Voyager 1 became humanity's first emissary to cross the helopause into the space between the stars.

 Today, decades later, both craft are still sending data, pabytes of insight into cosmic rays, solar wind, and the boundaries of our stars influence. In 2023, Voyager 1 briefly went silent due to an onboard malfunction, only to be resurrected by engineers painstakingly decoding the decades old systems.

 In the late '7s, the four outer planets, Jupiter, Saturn, Uranus, Neptune, were spaced just right, so a single spacecraft could ricochet from one to the next, using each planet's gravity to slingshot onward. That geometry happens only about once every 175 to 176 years, and 1977 sat right in that window, exactly why NASA launched the Voyagers when it did.

 Despite the planetary alignment being a once- in 176-year event, there's scant evidence that anyone outside aerospace advanced or academic circles picked up on its symbolic weight. We found no mentions of it in contemporary new age or occult publications of the time. In 1974, the Jupiter effect by John Gribbon and Steven H. Pllegan became an alarming bestseller.

 They claimed that soon to come planetary alignments would trigger massive earthquakes in 1982. It sparked media attention and doomsday chatter, but was mostly forgotten. [Music] In November of 1977, astronomers spotted a small, strange object moving in an orbit between Saturn and Uranus. It was unlike anything they'd seen before.

 Too small to be a planet, too erratic to be a typical asteroid, and shedding traces of gas like a comet. They named it Chiron after the wise centaur of Greek myth, healer, teacher, and mentor to heroes. Chiron is a unique celestial object officially classified as both a minor planet and a comet. It has characteristics of both asteroids and comets, earning it the designation of a centaur.

 This means it has a solid nucleus, likely composed of ice and dust, and also displays a coma, a cloud of gas and dust, like a comet. Astrologers quickly saw Chiron's discovery as more than coincidence. Its orbit physically bridged Saturn, the planet of boundaries and structure, and Uranus, the planet of revolution and awakening.

 Symbolically, it linked the known visible planets of classical astrology to the transpersonal realms beyond. Chiron arrived at the height of the human potential movement when self-discovery and personal growth were cultural obsessions. Retreat centers like Eselin were blending psychotherapy, Eastern philosophy, body work, and experimental spirituality.

 But this search for transformation wasn't always benevolent. The same hunger that drew some toward healing drew others into the hands of charismatic leaders. Where some found wisdom, others found control and destruction. James Warren Jones, born in 1931 in Indiana, led the People's Temple, a cult mixing Pentecostal revivalism and socialist ideals. But beneath that image was a man obsessed with control.

 Jones demanded absolute loyalty and used fear of outside enemies to bind the group together. In June of 1977, he fled the US, taking hundreds of followers with him to what he called the Jonestown Agricultural Project. A remote settlement carved out of the jungle. The following year, Jones's utopian promise collapsed into horror.

 More than 900 men, women, and children, all followers of Jim Jones, died after being coerced to drink a cyanide laced drink in the remote Gion jungle. Armed guards stood watch as Jones delivered his final sermon, urging his congregation to commit what he called revolutionary suicide. It remains one of the largest mass murder suicides in modern history. By the close of 1977, the world had been through a strange convergence.

 A rare planetary alignment, a newly discovered celestial body, and an unexplained alien signal. On Earth, the new age movement was surging. Cults and spiritual experiments were multiplying, and mass psychological events were reshaping communities. Even cities weren't immune to strange disruptions. The July blackout in New York plunged millions into darkness, triggering chaos in the streets.

 It felt as if something was pressing on the human psyche that year. Whether these events were coincidence or part of a deeper pattern, we simply don't know. But exactly 40 years later, something else arrived from beyond our solar system. This one wasn't a message. This time it was a visitor. [Music] On October 19th, 2017, the Pan Stars telescope in Hawaii detected something extraordinary. An object on a hyperbolic trajectory exiting the solar system.

 Its path proving it came from interstellar space named Umuam Mua. It was the first known object of its kind. Observers estimated its elongated shape, red hue, and tumbling motion, already strange by itself. But it was what wasn't there that really sparked alarm and fascination. No commentary coma or tail appeared even as it zipped by the sun.

Harvard astrophysicist Avi alongside Shuil Bali proposed in scientific American and scholarly papers that Umuwamua might be a light sail, an ultra thin reflective craft propelled by solar radiation pressure. An artificial probe sent intentionally into our system. They point to six key odd traits.

 Its shape, speed, orientation, brightness, acceleration, and absence of a tail. Collectively, this breaks expectations for natural objects, presenting the possibility of alien origin. And just 2 years later, in 2019, astronomers spotted another unusual object cutting across the solar system.

 They named it two I Boris after Gennady Borisov, the amateur astronomer in Crimea who first detected it through his homemade telescope. In June 2025, astronomers monitoring deep space picked up something extraordinary. A pulse, then another, and another. It wasn't random noise. It came in sharp bursts at 1420 MHz, the hydrogen line.

 The same cosmic frequency where nearly half a century earlier, the WOW signal had first stunned the world. That number mattered. Hydrogen is the most abundant element in the universe, the foundation of stars and life itself. If any advanced civilization wanted to speak across the void, this was the one channel guaranteed to be universal. And now, just like in 1977, it was speaking again.

The pulses came in groups of three, matching Earth's rotation, as if whoever sent them was tracking us, keeping us in their sights. For hours, scientists scrambled. And then, almost on cue, the sky revealed a second act. An interstellar object, threeey atlas, entered the solar system, the third ever discovered.

 Its trajectory, the same region of the sky where the signal had come from. The same direction as the original WOW signal. First, a mysterious broadcast at the universal frequency of life. Then the sudden arrival of a visitor from deep space. The story from 1977 wasn't over. It was continuing. When three eye atlas appeared in July 2025 on a hyperbolic path through our system, most astronomers called it a comet, albeit a rare and ancient one.

But Harvard astrophysicist Avi Lobe saw something different. the possibility of a mother ship. In a paper published earlier this summer, Loe and his colleagues proposed that several of Atlas's features align far more with technology than nature. Its trajectory is nearly perfectly aligned with the planetary plane and carries less than a 5° tilt, a precision the odds place around 1 in 500.

 Further, its smoothed flybys past Venus, Mars, and Jupiter provided ideal gravitational kicks. A path more like a purpose-built survey probe than a random comet. Its unusual brightness and glow. Hubble images show a sun-facing glow at the object's front rather than a tail behind, opposite of classic comet behavior. And finally, its size and speed.

 The object's brightness suggests a 20 km scale, moving at over 130,000 mph, both beyond what we'd predict for a lonely chunk of rock making a one-off trip across interstellar space. Because of these anomalies, Loe argues for an intercept mission, possibly using NASA's Juno probe, currently orbiting Jupiter, to get eyes on the object firsthand.

 Even some policy makers like Representative Anna Paulina Luna have publicly urged NASA to act. The word mothership has been in UFO culture for decades. An image of a large craft seating smaller scout vehicles. In the 1950s, contactee writers like George Adamsky said he was taken aboard a vast cylindrical mother ship that orbited Earth, fied by smaller saucers.

 It made headlines, sold books, and set an early template, a central craft launching probes. In 1976, over Tehran, interceptor pilots described a bright primary object and a second detaching light. Official cables preserved the reports. In 2023, a draft paper by Harvard's AV Lobe and the Pentagon's UAP office director Sha Kirkpatre.

 They hypothesized if a large interstellar craft were in the solar system, it might release tiny probes like dandelion seeds. Still, Loe calls this a pedagogical and speculative exercise, a way to push the envelope scientifically, not a conclusion. He notes, "By far the most likely outcome is that three eye atlas is a natural comet.

[Music] It's tempting to say this is coincidence, that the WOW signal was radio interference, Um, and atlas just space rocks. But the pattern suggests something else. If these things might be ships or probes, then how would we ever know for sure? But more importantly, how would we know if we were being lied to? Because for decades, whispers of false flags and staged alien arrivals have haunted the edges of this story.

History shows us belief can be weaponized. So what happens when that belief is engineered? [Music] I couldn't help at one point in my discussions with privately with General Secretary Gorbachoff. When you stop to think that we're all God's children wherever we may live in the world, I couldn't help but say to him, just think how easy his task and mine might be in these meetings that we held if suddenly there was a threat to this world from some other species from another planet outside in the universe. We'd forget all

the little local differences that we have between our countries and we would find out once and for all that we really are all human beings here on this earth together. Well, I don't suppose we can wait for some alien race to come down and threaten us.

 But I think that between us we can bring about that realization. Perhaps we need some outside universal threat to make us recognize this common bound. I occasionally think how quickly our differences worldwide would vanish if we were facing an alien threat from outside this world. But I've often wondered what if all of us in the world discovered that we were threatened by an outer of power from outer space from another planet.

 Wouldn't we all of a sudden find that we didn't have any differences between us at all? We were all human beings, citizens of the world. And wouldn't we come together to fight that particular threat? in 1962. The Cold War had America on edge. The Bay of Pigs had failed the year before.

 The Cuban Missile Crisis was looming just months ahead, and Washington was desperate to remove Fidel Castro from power. In that climate of fear and paranoia, America's top military leadership quietly drafted Operation Northwoods. The idea was simple. Create a crisis so catastrophic, so undeniable that the American public would demand war with Cuba. The blueprint spelled it out in detail. Stage terrorist attacks on US soil.

 Hijack civilian planes and blame them on Havana. Sink refugee boats fleeing the island. Even fake the deaths of American citizens. All designed to shock the nation into supporting an invasion. Operation Northwoods was formally presented and approved by the Joint Chiefs of Staff, the very highest level of the Pentagon.

 The men entrusted with safeguarding the United States had given their endorsement to a campaign of deception against their own people. Only one man stood in the way, the president of the United States. When John F. Kennedy was shown the proposal, he rejected it outright.

 Without his authorization, Northwoods was shelved, its pages locked away in secrecy. For decades, the public never knew how close the US government had come to fabricating a war through false flag attacks. The next year, on November 22nd, 1963, Kennedy was assassinated in Dallas, Texas.

 The president who stopped the Pentagon's most audacious false flag plan was suddenly gone. Coincidence or connection? It wasn't until the 1990s when once classified files were declassified that Operation Northwoods finally came to light. Operation Northwoods teaches us just one thing. The system of power is always willing to manufacture consent through fear and sacrifice lives in the process.

Born in 1945 in Montreal, Quebec, Serge Monast spent his life navigating the borders between poetry, journalism, and philosophical inquiry. Though public records don't reveal much about his family, his roots in Quebec's franophhone literary scene are well established, including a body of poetic and philosophical work in the late 70s and early 80s.

 Through the late 80s, Manest began to turn his pen toward investigative journalism and political analysis. In 1992, he self-published Ellet Minui Moza Ottawa, described in publisher listings as a dossier digging into Canada's impossible duality and the threat of civil unrest. He positioned himself as an independent investigator. In the early 90s, Monast became a fixture on Quebec's fringe media circuit, particularly through appearances on Esoterisma Experimental, an esoteric TV show hosted by eupfologist Richard Glenn. Viewers would remember him as an intense

speaker warning of looming global threats. In 1994, Serge Monast published his most controversial work yet, Project Blue Beam, a term he coined to describe what he claimed was a real plan by NASA and the United Nations to dismantle existing religions, governments, and national identities, and replace them with a new world order unified under a synthetic faith.

 They would do this by staging a false alien invasion, by projecting images into the sky with advanced holographic technology. He claimed he obtained the concept from anonymous political insiders, secret service defectors, and unidentified classified documents.

 Although he never disclosed names or provided concrete sources, he presented the theory in multiple papers and recorded lectures that circulated through his International Free Press Agency. According to Monest, Blue Beam was devised by NASA and the United Nations with the expressed purpose of dismantling religion and sovereignty and replacing them with a single new age faith centered around a faux messiah.

 This would be achieved through four meticulously orchestrated phases. Step one, induce artificial earthquakes at key religious sites and falsify new archaeological finds and evidence that would undermine traditional religions. Step two, stage an alien invasion or simulated rapture using advanced technology to instill mass panic and drive humanity toward a pre-esigned unified authority.

 Step three, execute mass telepathic messaging via extremely low frequency waves, making individuals believe the divine is speaking directly to them in their own language. You are all my children. And the final stage, launch a global holographic skyh show. images of different religious figures projected in the heavens, Jesus, Buddha, Muhammad, ultimately revealing a singular antichrist figure. Manest insisted he wasn't speculating.

 He said he had studied the documents. After publishing the book, he publicly warned about this alleged plan in through presentations and essays. And in 1995 he published a companion volume le protocol de Toronto outlining a masonic connection to the conspiracy orchestrating global domination.

 He told of a secret consortium called 666 meeting every 18 years plotting the new world order via control of global elites and individual minds. He certainly didn't frame project blue beam as entertainment. To him it was an urgent reality. In 1994, Monas published Lugu Manial Deonteist where he suggested a hidden Illuminati cabal was coordinating world events.

 He pitched that the United Nations and secret societies were weaponizing mind control to dismantle national sovereignty. That same year, he released the United Nations concentration camps program in America. A theory alleging that the US was setting up internment camps as part of a martial law plan orchestrated from above.

 Also in 1994, he tackled medical fears in Vacans, Medscene military experimental cristo laid. There, Monast claimed governments were using vaccines combined with liquid crystal technology to subtly manipulate human minds. By September 1996, Smonest situation had taken a distressing turn. That month, his two children were removed from his care by Canadian authorities and declared wards of the state, a move Monest publicly attributed to repression for his investigative claims.

In early December 1996, Monis was arrested, though precise details like the exact date of arrest or specific charges were never made public. All we know based on corroborated reports is that he spent one night in police custody. The arrest's purpose remains vague, possibly tied to his claims of distributing prohibited information.

The next day, back at his home in Sherbrook, Manis died of an apparent heart attack. He was 51 years old. Some of his followers insist to this day that his death was beyond suspicious, possibly connected to his exposure of deep state secrets. He warned of a time when the skies themselves would be weaponized.

And in the decades since his passing, the news has been filled with developments that make his claims harder to dismiss. Governments are speaking more openly about UFOs, or in the rebranded language, UAPs. The Pentagon has released declassified footage of strange craft outmaneuvering American fighter jets.

Congressional hearings now treat the subject as serious national security business. What was once dismissed as fringe conspiracy is moved into the mainstream. If Project Blue Beam was truly a plan to stage a false alien arrival through satellites, holograms, and psychological manipulation, then the groundwork may already be in place.

 The unexplained lights in the sky, a string of interstellar anomalies, official admissions that we don't know what these are. All of it subtly training us to accept the possibility of a cosmic encounter. Was Serge Monast able to document the early outlines of a plan that is only now taking shape? So the question lingers, are we witnessing random events or the steps of a script written decades ago? At the end of all this, we arrive at the one truth that cannot be denied. We do not know.

 We don't know what these objects in our skies really are. We don't know why interstellar visitors suddenly appear with such frequency. We don't know whether Project Blue Beam was an elaborate hoax, a paranoid fantasy, or a glimpse into an operation that's still unfolding. What we do know is this. Our history has been hidden from us.

 Our leaders and institutions lie and they always have. So when people say everything is a hoax or a misdirection, we understand because this isn't about believing everything or rejecting everything. It's about asking the questions that cut through the noise. If we don't ask them, no one will. Thank you for joining us here on the Anunnaki Connection. Good night.

[Music] There are things in this world that don't make sense. Entire cities built with blocks so massive modern cranes would struggle to lift them. And yet they were placed with ease long before the invention of the wheel. Stone ruins melted by impossible heat. gigantic megaliths carved with surgical precision as if shaped by machines we don't even possess today.

 Across ancient texts scattered in myth and scripture, we find whispers of strange objects. Devices that could destroy, heal, manipulate nature or even bend the will of men. Objects that were said to belong to the gods, but which sound more like tools than miracles. Mainstream historians insist these are just metaphors.

 poetic exaggerations from a time when people couldn't explain the forces around them. But what if they weren't exaggerating at all? What if the ancient gods, the Anunnaki, possessed real, tangible technology, tools, weapons, flying vessels, energy weapons, artificial life, the power to terraform, to rewrite DNA, to open gates between worlds. These aren't modern inventions.

 their ideas etched into the oldest records we've ever found. And the more we dig into these records from Sumer to Egypt, from the Vadas to the Book of Enoch, the more we find a recurring theme that humanity was given knowledge or perhaps enslaved by it. Some of this technology may have been hidden. Some of it may have been destroyed.

 But traces remain in the ruins, in the stories, and possibly even in our blood. Welcome to the Anunnaki Connection. Stone. Massive, dense, immovable stone. Across nearly every ancient civilization, Sumer, Egypt, Meso America, we find stone used for homes and tombs, for temples, ziggurats, and pyramids, monuments carved to outlast empires, structures aligned with the stars, encoded with mathematics, and immune to time. Why? Stone is eternal. It doesn't burn. It

won't decay like wood or rust like iron. It holds memory. It resists entropy. And it can be cut, shaped, fitted with such precision that even earthquakes struggle to break its grip. In southern Utah, near the edge of Cedar Mesa and the Valley of the Gods is a plateau called Mui Point. At first glance, it looks like any other desert cliffside until you see the blocks.

 Massive, cleancut, rectangular megaliths with damn near perfect right angles. Some split from the bedrock, others perfectly aligned like a giant's game of Tetris frozen in time. The scale is staggering. Each block is the size of a truck or larger.

 And some appear to have been dislodged and dropped as if shaken loose by an ancient quake or something else. Geologists claim this is natural. the result of erosion, freeze thaw cycles, and sandstone fracturing along bedding planes. But even among geologists, this particular formation is considered unusual. These aren't rounded boulders or jagged cliffs.

 These are straight, clean lines, right angles, parallel seams in a place untouched by machinery or modern tools. According to Navajo tradition, this region was once home to giants who walked the land in the time before memory. Some say they came from the stars. Others say they were born of the earth itself. But all agree they were powerful.

 The nay, monstrous entities who could shape stone with their bare hands. The mountains, cliffs, and canyons are the remains of ancient battles. The scars of a forgotten war between gods and monsters. [Music] We see massive stones and projects like this all over the ancient world. At Giza, the Great Pyramid is made from over 2 million limestone blocks, some from quaries hundreds of miles away.

 At Pumapunku in Bolivia, blocks were shaped with such precision they resemble modern machine cuts. In Balbeck, the stone of the pregnant woman, estimated at over 1,000 tons, sitting in place, unmoved for millennia. How? Mainstream archaeology offers no solid explanation. Theories range from wooden rollers to copper chisels, but none account for the precision, the scale, or the logistics.

So, we're left with two possibilities. Either our ancestors had tools we no longer understand or they had help. Let's start with the science. In 2018, researchers at the University of Tokyo successfully levitated small objects using nothing but sound waves. Using highfrequency ultrasonic speakers positioned around a target, they suspended and moved tiny styrofoam balls through midair. No strings, no contact.

Now scale that up. Is it possible the ancients used vibration or resonance to manipulate heavy stone? Tibetan monks have oral traditions describing the use of horns and drums to float stones up cliffs. In Egypt, some believe sound was used to alter the weight or structure of limestone blocks.

 We don't have definitive proof, but the concept isn't fiction. Quartz rich stone like granite has pizzctric properties meaning it can generate an electric charge when put under pressure. If a civilization understood how to manipulate frequency and pressure, is it possible they could soften or disrupt the molecular structure of stone? Some anomalous sites show signs of stone that appears to have been melted, poured, or molded, almost like a kind of ancient geopolymer technique.

 At Sakiwaman in Peru, the stones fit so tightly and curve so fluidly that some researchers believe they were cast, not cut. At Puma Punku, there are drill holes, perfectly circular, evenly spaced. Others are keyhole shaped. Modern stone workers have tried to replicate them and failed. There's no tool in the standard Bronze Age toolkit that can explain it.

 Not without diamond tipped saws or high-speed rotary cutters. So, what were they using? Was it sonic cutting, laser-like tools, plasma torches, or something completely different based on principles we no longer understand? Were these tools left behind, hidden, or did they simply vanish? Like everything else we can't explain because the stones are still here, stacked, fitted, aligned with stars.

 They've outlived civilizations, outlasted empires, and they're still here. [Music] Three curved blades spiraling inward around a hollow center. It doesn't look ceremonial. It doesn't look symbolic. It looks designed. This is the Sabu disc. Discovered in 1936 at Sakara inside the tomb of an early official named Sabu. The disc dates to Egypt's first dynasty around 3000 BC.

 Made from metis, a brittle and delicate stone, it was broken into pieces when found. But once reconstructed, it revealed a shape that didn't belong. The disc resembles a modern flywheel, a rotor, a precisely engineered part meant to move, spin, or transfer force. But Metiscus isn't strong enough to do any of that. It flakes under pressure. It can't handle torque or stress.

 Was this version of the disc functional? Or was it a copy, a replica of technology far older than the tomb it was buried in? something Sabu's people may have found, studied, and attempted to recreate, not knowing what it truly was. What could the original have been? Some speculate it was part of a gyroscopic stabilizer used in levitation or flight.

 Others see the geometry of a resonance amplifier designed to manipulate sound or vibration. Its aerodynamic shape could suggest a rotor for energy transfer, mechanical, magnetic, or otherwise. Maybe it was a memory drive, a rotating interface, or a focusing lens in a system that no longer exists. The truth is, we don't know. Across the ancient world, we find symmetry where there should be imperfection, engineering where there should be myth.

 And in the case of the Sabu disc, it was made to do something. And whatever that function was, we may never know. [Music] It appears in nearly every ancient culture, a weapon that commands thunder, that levels mountains, that always finds its way back to the hand that threw it. It's been called a thunderbolt, a fire serpent, a lightning axe.

 But in ancient India, it had a name. The Vajra. The story begins in the Rigveda, one of the oldest known texts on earth. The god Indra, king of the heavens, faces a world plunged into darkness. The demon serpent Vitra has stolen Earth's waters, blocking rain, drying rivers, choking life.

 None of the gods can defeat him until Indra receives a new weapon. Forged by Tvashta, the divine craftsman and blessed by Vishnu, the Vajra is said to be neither solid nor liquid, a paradox in form, unstoppable in function. Indra hurls the Vatra and with it he breaks the serpent. Mountains split, rain returns. The earth breathes again. But this isn't just an Indian myth.

 In Greece, Zeus hurls thunderbolts forged by the cyclopes to destroy the titans and battle the hundred-headed serpent Typhon. Early depictions show Zeus holding a rod-shaped weapon. The resemblance to the Vajra is uncanny. In Mesopotamia, the sky god Marduk faces the chaos dragon Tiiamat. The gods grant him an unrivaled weapon depicted as a three-pronged scepter in Babylonian art.

It destroys Tiiamat and establishes cosmic order. In the Norse world, Thor's hammer Mjolnir is forged by dwarves deep in the earth. It can level giants, split mountains, and always returns to his grasp. Some myths describe it more like an axe or club, others as a notched weapon glowing with lightning.

 Among the Slavs, the storm god Peroon throws an axe at the serpent demon Veilz each year, driving him back underground. The axe never misses and always returns. In the Americas, we find the same weapon under different names. The Aztec god Witsilopi wields a fire serpent called Shu Cortal, used to slay his enemies at birth. The rain god, Klak, hurls lightning axes from mountaintops.

Even in Aboriginal Australia, the sky gods carry boomerangs said to return when thrown, used to punish a primordial being who tried to defile the first women. These are not isolated myths. The patterns are too specific, too precise to ignore. So what was the vajra really? Could a weapon that emits blinding light, cracks stone, and returns to its user actually exist? Modern physics gives us a few clues.

 We now know that focused plasma arcs, laser pulse discharges, and directed energy weapons can vaporize stone and metal. We've developed rail guns that fire projectiles at hypersonic speed using magnetism. And electrostatic propulsion can launch objects without traditional fuel. Clean, silent, and deadly. The concept of returning weapons isn't fictional either.

 Autonomous drones and AI guided munitions can now reorient midair and return to base. But all of this is new to us. The Vajra stories are thousands of years old. And the device is always described the same way, small enough to hold in one hand, unstoppable once launched, able to generate thunder, fire, or light.

 Often formed of metal, sometimes said to contain thousands of prongs or energy points. and in later ages transformed into a ritual object of peace after its destructive power was sealed away. In Buddhist tradition, it said that the Buddha took Indra's vajra and closed its prongs, removing its power, turning it from a weapon to a symbol.

 That version made of gold or brass still exists today, but it may not be the original. It may be a replica. a ceremonial copy of a tool once wielded by real beings, remembered as gods, but possibly something else. If the Anunnaki were here, and if they brought advanced technology with them, then the Vajra may have been part of their arsenal, a handheld energy weapon, a plasma lance, or something stranger, powered by resonance, controlled by thought, and lost to time.

 It's been remembered in myth, copied in metal, reduced to symbol. But it began as a weapon. In the ancient lands of Canaan, near the lowest point on earth, two cities once thrived, Sodom and Gomorrah, fertile, prosperous, and according to the oldest accounts, utterly depraved. Their destruction was absolute. Genesis 19 records it with striking detail.

 Two visitors, described as angels, though the original Hebrew uses Malachim, messengers, arrive at Sodom's gate. They're not winged spirits. They eat, they speak, they issue direct commands. They seem human or something close to it. Lot, the only man deemed worthy of survival, begs them to stay in his home. That night, chaos erupts.

 An angry mob surrounds the house, demanding the strangers be turned over. Then, something strange happens. The visitors emit a blinding light and the crowd is struck with sudden blindness. A localized burst, targeted, disabling. What kind of technology could do that? The messengers warn Lot that destruction is imminent.

 He is told to gather his family and flee the city before sunrise, but not to look back. The phrase, "Do not look behind you," is repeated almost ritualistically. At dawn, as Lot escapes into the hills, the sky erupts. Genesis says, "Then the Lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of heaven, and he overthrew those cities and all the plain and all the inhabitants of the cities and that which grew upon the ground.

" Brimstone and fire is often translated as burning sulfur. But in ancient terms, it meant something entirely unnatural. This was no wildfire. It came from the sky. It flattened buildings, burned crops, scorched the earth. Lot's wife, who turned to witness it, was instantly killed. The text says she became a pillar of salt.

 Some scholars believe this may describe exposure to a blast wave or even radiation. And here's where archaeology steps in. At a site called Tall El Hamam, near the northern edge of the Dead Sea, scientists have uncovered startling evidence. A bronze age city suddenly and violently destroyed. Buildings pulverized.

 Clay pottery melted into glass. Shocked quarts formed only under conditions of extreme pressure, similar to what's found at nuclear test sites like Trinity and Hiroshima. The destruction wasn't gradual. It was instantaneous. Even more curious, soil samples show unusually high levels of salt fused into the earth.

 One theory suggests a massive explosion in the atmosphere pushed salt from the Dead Sea into the surrounding region, chemically scorching the landscape, crops failed, trade routes collapsed, the area was abandoned for 600 years. Could this be the real Sodom? And if so, what caused its annihilation? Some geologists point to a cosmic air burst like the Tungaska event of 1908 when an asteroid exploded over Siberia, flattening 80 million trees. But there's no crater at Tall Elam.

 No impact, just destruction from above. That opens another possibility, an energy weapon. The Mesopotamian texts mention such things, weapons of terror used by the gods. The Samrian tale of the destruction of recounts a similar event. Blinding light, a great wind, people turned to ash, crops turned to dust. The storm devoured the city. The language is almost identical.

 And in those texts, the destroyers are not comets. They are wielded by gods, by the Anunnaki. Could it have been a form of directed energy? something akin to a modern microwave weapon, a plasma pulse, or even a small scale nuclear detonation. Military researchers today have theorized about thermobaric weapons that can consume all oxygen in a given area, creating a firestorm.

 Others point to plasma beam technology capable of generating intense localized heat without conventional explosives. Even the blinding flash that struck the mob in Genesis, targeted and debilitating, sounds eerily similar to modern non-lethal weapons developed for crowd control. The Dazzler, which emits intense directed light to disorient, or microwave-based systems like the active denial system that causes unbearable heat sensations in human skin? What if the angels were equipped with such devices? What if Sodom and Gomorrah were not just punished, but executed as part of a broader enforcement of Anunnaki law? Could this have been a show of force

meant to send a message to others? And why the warning not to look back? In nuclear detonations, the flash can cause blindness if directly viewed. In some cases, survivors of Hiroshima and Nagasaki who looked toward the blast site suffered complete ocular destruction. Is it possible that ancient survivors witnessed something similar and recorded it the only way they knew how? And perhaps that pillar of salt wasn't poetic symbolism, but a body desiccated and crystallized by radiation and shock. These are questions of memory. Memory

encoded in sacred texts. Memory backed by archaeological ruins. memory of a moment when the gods or something pretending to be gods brought destruction from the sky with unimaginable force. And if such weapons existed once, where are they now? [Music] It brought nations to their knees.

 It led armies to victory, scorched enemies with fire, and struck down the unworthy with a power no one could explain. The Ark of the Covenant was a device, a weapon, a piece of technology left behind when the gods withdrew from the world. According to scripture, it leveled cities. When the Israelites marched around the walls of Jericho, it was the ark that led the procession.

 And when the trumpet sounded, it brought the walls crashing down. Some speculate that the ark served as a kind of directed energy weapon. Others believe it acted as a targeting relay, marking coordinates for destruction from above. Perhaps a high altitude platform, a satellite system, or something far stranger.

In the book of Samuel, when the ark was captured by the Philistines, it unleashed chaos, tumors, death, and mass panic. Entire towns were evacuated just to get it out. In Second Kings, a man named Usuza is struck dead for simply reaching out to steady it. It radiated something lethal. It was overlaid with gold inside and out, perfect for conductivity.

 It was topped by two golden cherubim, wings outstretched over the mercy seat, a design reminiscent of dual emitter technology. The Levites carried it using poles, never touching the surface directly. Why? because of static discharge, radiation, or maybe because the ark was interfacing with something else, receiving commands or channeling power from a source beyond our dimension. When King David tried to bring it to Jerusalem, it killed a man.

He panicked and left it behind in a remote household for 3 months. And yet, wherever it rested, blessings followed. Crops flourished, livestock multiplied, enemies kept their distance. The ark could bless or curse. It could protect or annihilate. The ark vanishes from scripture after the Babylonian siege of Jerusalem in 586 BC.

 It's never mentioned again in the inventory of sacred treasures looted from the temple. No record of destruction, no confirmed burial site, only silence. Some say it was hidden, taken to Ethiopia, secreted away beneath the temple mount or guarded by an unbroken priesthood.

 But even if someone did find it, it likely wouldn't function. Not anymore. If the Ark was Anunnaki technology, something designed to interface with a larger network, then its power source is gone. Whatever command infrastructure it once relied on, whether orbital, aerial, or dimensional, has either been deactivated or left Earth entirely. It's like finding a warhead without the launch code, or a beacon meant to summon something that no longer listens.

Perhaps that's by design. If the ark could still function, what would it do? Would it level cities again? Would it bring down fire from the heavens like it did in the days of Jericho? Or would it simply wait, dormant, until its creators return? What kind of technology could shape stone with surgical precision, turn sand into glass, or wipe entire cities from the map? If the Anunnaki truly wielded such tools, why don't we find circuit boards buried beneath ziggurats? Where are the batteries, the engines, the gears?

Maybe we're asking the wrong questions. What if their devices weren't designed to work alone? What if they required access to a larger system, a network, a power grid, or even an entire vessel we no longer have access to? Think about it. If a smartphone washed ashore in the Bronze Age, it would be little more than a black mirror, a dead artifact, no signal, no servers, no satellites.

 So, what happens when the Ark of the Covenant is unplugged from the source it was meant to interface with? What becomes of a vajadra when the sky chariots no longer descend? It's not that the technology is missing. It's that we might be holding the casings, the shells, the shadows, while the real power lies beyond our reach. [Music] They called him Kronos, the devourer of his own children, the god who ruled before the gods, the bringer of time and the end of it.

 Long before Jupiter, long before the sky father claimed the throne, Saturn reigned. And to the ancients, he was not a distant planet. He was the black sun that once ruled the heavens. A god of shadow, of cycles, and of sacrifice. Across the world, his name changed. L Bal, Enlil, Malik. But the essence was the same. The old king who would not die.

 Even now, his symbol endures. The black cube, the hexagon storm, the sythe of time that cuts all things down. Some say Saturn was never a planet at all. that he was a throne, a seat of power for those who came before humanity, the ones the Samrians called the Anunnaki. And if that's true, then the cult of Saturn never ended.

 It only learned how to hide in plain sight. [Music] Close in, wrapped in a soft blanket of haze, Saturn is incredibly beautiful. The sheer size of Saturn is difficult for beings from Earth to comprehend. For Saturn is truly gigantic. More than 650 Earths could fit into the volume of the planet. But Saturn, unlike Earth, is made not from rock but from gas.

 As this computerenhanced image shows, Saturn is distinctly oval. The planet is flattened by the speed with which it spins. A Satnian day is only 10 hours long. Underneath a turbulent atmosphere is an immensely deep ocean of liquid hydrogen. Deep down, it is so compressed that it behaves like a liquid metal. And at the very center is a rocky core, a solid planet rather larger than the Earth, but enveloped in an ocean of liquid gas more than 30,000 m deep.

 [Music] Saturn's atmosphere is blanketed in a thick layer of smog. The first problem the team needed to solve was how to construct the complicated computer programs that would reveal the detail underneath. They succeeded and computerenhanced a previously unseen Saturn emerged from underneath the haze.

 The atmosphere is a turbulent place. It is patterned with spots and vortices trailing for tens of thousands of miles. These are the tops of storm clouds racing across the Satnian sky. The equatorial winds blow at up to 1,000 mph. [Laughter] Girdling the planet are the rings 38,000 m across.

 The names for Saturn's rings were worked out long before any spacecraft got there. They are based on the two most noticeable divisions in the rings. The Cassini division and the boundary with the inner diffuse crepe ring. So in the interest of simplicity, the rings were called A B and C for crepe ring. But as the resolution has improved on the rings, the naming has had to be extended and has become absurdly complicated. Everything inside the C-ring is the D-ring.

The very diffuse material outside the A- ring that is invisible from Earth is the E or extended ring. while the very small thin ring outside the A-ring but inside the E-ring became the F-ring. [Music] But even this complicated scheme underestimates the sheer complexity of Saturn's rings. This actual Voyager image has been computerenhanced to reveal all the detail in the rings.

 The structure is enormously complicated. The rings are so full of detail that they have been compared to a gigantic photograph record. Composed of billions of small independently orbiting chunks of ice, the entire ring system is almost 40,000 m across and surprisingly less than a mile thick.

 Formed with Saturn more than 4,000 million years ago, the rings are a window into that ancient time when the solar system was born. Over eons, some process seems to have steadily marshaled the myriad swarms of billions upon billions of boulders of ice into the structure the rings now have. In nearly every culture that left its mark on history, there is a memory of a world that came before this one.

 A time of peace, abundance, and divine order. What the Greeks called the golden age. Among the oldest surviving myths of the Western world is the story of the Titan Kronos, the ruler of time, known to the Romans as Saturnis. He was the ruler of the golden age, a time when the earth produced freely and humankind lived without labor or want.

 There was no need for kings, laws, or weapons. It was an era of balance, the universe in perfect order. But time is a circle, not a line. And every circle contains its own ending. And Kronos was no gentle patriarch. His very name, from the Greek Kronos, means time. And time, no matter how divine, consumes everything it creates.

 As the myth unfolds, Kronos begins to devour his own children, fearing a prophecy that one of them would overthrow him. This idea, the devourer of his offspring, was not about cannibalism. It was about the nature of time itself. Each generation, each creation, each civilization eventually falls back into the jaws of the cycle that produced it.

 When the Romans inherited this story, they reimagined Kronos as Satnus, a god of sewing and harvest. His scythe, once the weapon used to overthrow his father, Uranus, became the farmer's sickle, the instrument of the seasons. Every winter, when the fields died and the light faded, the Romans celebrated Saturnelia, a festival of reversal and renewal. Slaves dined as masters.

 Masters served as slaves. For one week, the world turned upside down, echoing that ancient shift from the golden age to the age of men. Yet, the pattern is not confined to Greece and Rome. Thousands of years earlier in the river valleys of Sumere and Akad, we find the same cosmic hierarchy, a ruling father god displaced by his descendants.

 In these stories, Anu, the Lord of the heavens, was succeeded by Enlil, who became the administrator of earth and the firmament. Enlil's own reign would one day give way to the younger, more sympathetic Enki, master of wisdom and creation. The succession of divine generations mirrors the succession of ages, each ruled by a more distant, more humanlike deity. The pattern is striking.

 An elder god presides over paradise. His rule ends abruptly. A younger order takes his place and the age of peace becomes the age of labor. It is possible the Greeks inherited these patterns indirectly through the near east. The image of the scythe wielding skyfather, the fall from paradise, the rebellion of sons against fathers.

 These are Mesopotamian before they were ever helenic. In esoteric philosophy, the archetype of Saturn takes on an even deeper meaning. To the alchemists, Saturn's metal was lead, heavy, dull, and resistant to change. Yet, lead was also the starting point of transformation, the base matter that could through understanding become gold.

 In the cabalistic tree of life, Saturn corresponds to the third Sephira. Bina, understanding. Here Saturn is the architect of limitation, the force that gives form to chaos. Without limitation, creation cannot exist. Without time, nothing can evolve. To the ancients, the golden age ended not because of evil, but because perfection cannot endure.

 Every paradise collapses into experience, and every god of creation becomes a god of death. Kronos, Saturn, Enlil. The names change, but the idea remains. The universe moves in cycles of birth, decay, and renewal. The father is overthrown by the son, who in turn becomes the father, and the wheel of time turns once more.

[Music] For the ancient Sumerianss, the sky was a kingdom, a vast hierarchy ruled by the Anunnaki, the rulers of earth and heaven. And among them stood one who embodied control and the weight of judgment. This was Enlil. In the old tablets, he is called the great mountain, commander of the winds, keeper of the tablet of destinies, and enforcer of order in heaven.

 When humankind becomes too loud, too defiant, it's Enlil who sends the flood. He preserves the balance even if it means destruction. And in that balance, a familiar symbol, the planet Saturn. To the Babylonians, Saturn became Ninerta, the son of Enlil, a warrior who enforced his father's will.

 He carried the same traits: severity, discipline, structure, and punishment. To the Phoenicians, it was L, the father of gods and men. In the Levant, the Saturnian cult took a dark turn. The god L, once supreme, gave rise to Bal, the Lord. Over centuries, Bal's identity fractured into many forms. Bal Hmon, Bal Zebul, Bal Mulliko. Moolok would become one of the most feared names in ancient scripture.

 He was the devourer, the one who demanded the offering of firstborns to ensure the continuation of power and order. The echoes of this can be seen in the tale of Kronos. This connection would carry forward into countless occult traditions. Saturn, the black sun, the lord of the material world. Malik, the consuming fire of civilization itself.

 Different names, same power. The destroyer who maintains creation through sacrifice. Even the ancient Hebrews who rejected these cults could never fully erase their imagery. The warnings in Leviticus and Jeremiah against passing children through the fire to Molech are cultural fossils preserving the memory of Saturn's shadow in human history.

 In astrology, Saturn still bears that same mark, the planet of limitation, time, and consequence. It is the great divider between the known and the unknown, the last visible boundary of the heavens. Some scholars have wondered if these were all just different incarnations of the same ancient archetype. In the Enuma Elish, it's not hard to see this transformation. The elder gods are cast down. The younger gods rise.

 The heavens are divided into zones. A cosmic order built from rebellion and sacrifice. Maybe that's why even now the ancient sphere of Saturn lingers in our collective memory. Because somewhere deep in the past, Saturn wasn't just a light in the sky. It was the symbol of a god who once ruled the world. [Music] The ancients gave Saturn many names.

 The Lord of Time, the Devourer, the Black Sun. But one symbol followed it through every age. The cube. Six sides, six directions, and a hidden center. It is the geometry of form itself, stable, eternal, and unyielding. And nowhere else in the solar system is that geometry more literal than on Saturn. In 1981, Voyager sent back images that stunned the world.

 At Saturn's north pole, a perfect six-sided storm, a hexagon thousands of miles wide, locked in perpetual rotation. The hexagon is immense with sides approximately 9,000 m long, big enough to fit the Earth inside it twice. Scientists called it a standing wave, a product of turbulent jetreams.

 But to those who study the symbols of old, it was something else, a signature, a cosmic mark that the architecture of Saturn and perhaps reality itself obeys the same hidden geometry found in sacred design. In Cabala, Saturn is Beina, understanding. She is the great architect, the feminine aspect that takes the formless light of creation and gives it shape.

 Bea builds the walls of existence, the boundaries of matter, the rules of time. The ancients saw in Saturn's rings the image of limitation, and in its hexagon, the symbol of structure itself. Saturn does not create life. Saturn defines its limits. The black cube reappears in one of the world's holiest sites, the Cabba of Mecca. Pilgrims circle it as planets around their star in a ritual that has echoed for more than a thousand years.

 To the esoteric initiate, this is not coincidence. The cube is the dwelling place of divinity, the same pattern repeated from heaven to earth. Saturn rules time, and time devours all. In alchemy, he is negro, the black stage of dissolution, death before rebirth. To enter the cube is to face the limit of existence.

 To transcend it is to escape time itself. From masonic temples to city plazas, the black cube persists. Architects, artists, and occultists return to it, consciously or not, as if drawn to an ancient code. Some call it a symbol of control, the prison of the mind, the material world that keeps spirit bound. Others call it the key, the reminder that enlightenment begins with confronting confinement.

Some esoteric schools go further. They claim Saturn is not just a symbol of time and death, but a gate. In this view, the hexagon at its pole is not a storm, but a mechanism, a six-sided portal that recycles consciousness back into material form. This is the so-called soul trap theory. The idea that souls are drawn back into the cycle of birth and death through a satnian gateway.

 It appears in fragments of gnostic texts, in whispers of mystery schools, and in modern fringe philosophy. Whether metaphor or reality, the image of Saturn as a cosmic warden fits the same archetype seen in every age. The devourer of his children. The black cube that both shelters and imprisons. [Music] In the Hebrew prophecies, there is a warning about a star.

 Amos calls it Caillun. Centuries later, when the text travels into Greek, the name shifts to Refan or Rean. In the New Testament, Acts 7:43 recalls it as the star of your God Rem carried by the people as an idol. What was that star? Ancient readers did not use our modern word planet. They spoke of wandering stars, the bright bodies that move against the fixed constellations.

Among them, one was slow, heavy with meaning, and always associated with law, fate, and consequence. That star was Saturn. Many scholars see the line from Kune to Refon or Remon as a translation trail that points to Saturn. The name likely echoes older Mesopotamian and Westsmitic terms for the planet that later survived in regional languages.

 When Steven says the people carried the star of your god Remon, he is not speaking about a distant sun. He is naming a deified planet, a cult of the sky. In Amos 5:26, the prophet also names Malik. Acts repeats the pairing. The tabernacle of Malik and the star of your god Refan. Two currents converge here. Malik, the consuming fire of the city.

 Remon, the Saturnian star of authority and time. Together, they mark a forbidden worship. Power taken from the heavens and enthroned on Earth. Place that warning beside what we see above Saturn today. At the North Pole, a six-sided storm turns without rest. A hexagon vast enough to swallow continents. For the modern eye, it is fluid dynamics.

 For the symbolic eye, it is geometry. The same six that defines the cube and the star forms used in sacred diagrams. In the old language of myth, Saturn remains the architect of limits. A brief note for clarity. Remon is not a different god from Kun. It is the Greek way of writing the older name.

 And the star is not a specific drawn emblem in these texts. It is the planet as an idol, a wandering power treated as a god. So the star of Remon is Saturn remembered in scripture, a planetary throne woven into warning, a reminder that when men worship time and power, time and power devour them in return.

 The star of Rayan then wasn't a symbol of covenant with the divine, but rather devotion to Saturn. Across Babylon, Egypt, and Canaan, Saturn was both revered and feared. The six-pointed star later became known as the seal of Solomon and came to represent this dual nature, divine wisdom bound within the laws of matter. The hexog, like Saturn itself, governs structure and control.

 When the modern state of Israel adopted the six-pointed star for its flag, it was not reviving a symbol from the mosaic age. The manora was Israel's ancient emblem, the sevenbranched light of spirit. The star emerged much later, shaped through cabalistic mysticism, hermetic alchemy, and even medieval magic. This evolution raises uncomfortable questions.

 The same hexag used in occult sigils, Masonic lodges, and Satnian orders is now the symbol of a modern nation. One deeply entangled in global finance, technology, and surveillance. It may be coincidence, but if symbols carry energy, if they transmit intention across time, then the star of Reefon never stopped shining. It merely changed meaning.

 Perhaps that's the hidden irony that the very symbol raised in the name of faith may in truth represent the ancient god of the material veil, the keeper of cycles, the architect of control. The worship of Saturn never truly disappeared. It evolved, hiding behind new symbols, new languages, and new institutions.

 What began as offerings to a dark god of time became rituals of commerce, architecture, and control. Today, that same energy manifests in systems of finance, technology, and surveillance. The mechanisms that bind humanity to a constant rhythm of consumption and obedience. The black cube, Saturn's ancient symbol, now appears everywhere.

 At the Cabba in Mecca, the pilgrims circle the cube, a ritual older than Islam itself. Some say echoing pre-Abrahamic veneration of celestial deities. In corporate logos, black cube structures rise in city centers from Manhattan to Melbourne, monuments to the god of material order. Even in names Black Rockck, Blackstone, Saturn Corporation, the pattern repeats.

 Black, the color of Saturn's domain, the color of the void, of authority, of power, centralized and absolute. In esoteric traditions, the cube represents matter, limitation, and imprisonment. The spirit confined in the density of the material world. To escape the cube is to awaken. to transcend the boundaries of control. But those who rule through the cube feed upon its geometry.

 They build their empires upon it. Secret societies, occult orders, and global think tanks, whether knowingly or not, operate within the Saturnian paradigm. They uphold the cult of structure, hierarchy, and time. Their temples are skyscrapers. Their altars are boardrooms. And their offerings are human attention and labor. We live inside its rings. The cult doesn't wear robes anymore. It wears suits.

 It doesn't chant in temples. It calculates in markets. It doesn't burn off. It monetizes souls. During the early 20th century, esoteric orders within Nazi Germany and Hitler's inner circle revived this symbol as part of their myth of Aryan cosmic origin. The schwartza sauna or black sun represented a hidden source of energy, an unseen god at the center of all reality.

A reference to the ancient Saturnian old son of myth that ruled before our present age. After the Third Reich fell, the Black Sun symbolism went underground, finding new life in postwar esoteric societies, occult lodges, and in modern conspiracy theories.

 Saturn became the shadow sun, a hidden generator behind human consciousness, radiating control. One of the most widely circulated modern interpretations came from David Ike who described Saturn as a cosmic transmitter, a planetary broadcasting tower beaming frequencies across the solar system. In his view, the moon acts as a relay dish reflecting those frequencies into Earth and shaping human perception.

 Whether one takes this literally or symbolically, it shows a far older pattern. The Gnostic model of the archons where lower celestial rulers project false realities to keep the divine spark imprisoned in matter. Saturn, the lord of time and the keeper of the cage. Many ancient traditions spoke of two sons, one visible, one hidden. This hidden sun was Saturn.

 The visible sun became the successor, the liberator. The black cube is Saturn's ultimate symbol. Matter crystallized, time solidified into geometry. Across the world, this geometry recurs. Yet the cube's ultimate secret is its transformation. When unfolded, it becomes the cross, the central symbol of Christianity. This raises another unsettling question.

Did the church absorb the Satnian code? Saturday, Saturn's day, became the sacred Sabbath, St. Peter, Petro, the rock, the stone upon which the church was built. And the cross itself, an unfolded cube meant to symbolize the release of the divine from material bondage.

 It's as if Christianity took the architecture of Saturn and simply reversed it, turning the symbol of imprisonment into a symbol of redemption. As we enter the new age of the black sun, the symbolism circles back. Humanity builds its own artificial suns, glowing screens, simulated light, time measured in loops. Through transhumanism, people chase Saturn's oldest promise.

 Immortality through control of time. Machines compress reality just as the cube once did. The ancient god of limits now reappears in silicon form. The demiurge reborn as an algorithm. The question that still lingers is not whether Saturn still rules, but whether we've begun to recreate his kingdom ourselves. Are we still living in the reign of the black sun? Perhaps Saturn never fell.

 We just learned how to build his shadow. The black cube, the ringed planet, the god who devours his own. We worship him without knowing it. We serve order without question. And every tick of the clock still whispers the same ancient name. Join us next time on the Anunnaki Connection. [Music] The popular image of Jesus is false.

Pale skin. That version comes from European art painted a thousand years after he lived. The historical Jesus was a Galilean Jew of the first century. Archaeology and forensic science tell us he had olive skin, dark eyes, short black curls, and a trimmed beard.

 His body would have been lean and wiry, scarred by labor and long journeys. In the early 2000s, forensic specialists reconstructed a Galilean face from first century skulls. What emerged was not a European icon, but a rugged, ordinary man, a face that could vanish in a crowd, not one that looked like a Renaissance king.

 Bones from Judea in the Roman era confirm the picture. Average height around 5'5. Average build, lean, hardened by poverty and physical work. These were men marked by malnutrition, disease, and the sun. Jesus would have carried those same marks. The gospels never describe him. Early Christians left no record of his appearance. And that silence speaks volumes.

 It means Jesus looked like everyone else around him, ordinary, unremarkable. So why do we picture him differently? Because centuries later, the church needed an image. And European artists gave him one, a savior remade in their own likeness. That invention became the face that dominates stained glass, cathedrals, and cinema.

 But if even his face was rewritten, what else was changed? his story, his teachings, his origins. Even the name Jesus is not the name he was called in his lifetime. In first century Galilee, he would have been known as Yeshua, a shortened form of Yahosua. It was a common name in Judea, as ordinary as John or Michael today. When the Gospels were written in Greek, Yeshua became Isus.

 Greek had no she sound, so the name was adjusted. The final S was added to fit Greek grammar. From Greek, it passed into Latin as Isus. And when the Bible was translated into English, I became J. That's how the man called Yeshua became the figure we know as Jesus. Each translation layered him deeper into the culture of empire.

 The Galilean teacher with a Hebrew name was refashioned into a Greek Christ, then into a Latin savior, and finally into the European Jesus of stained glass. Even his title shifted. In Hebrew, Mashiach, the anointed one. In Greek, Christos. In Latin, Chris. Every translation moved him further from his roots and closer to the figure the church wanted the world to see. The man called Yeshua was buried beneath language. The Christ called Jesus was raised up by empire.

 The Gospels tell us almost nothing about Jesus between childhood and the start of his ministry. From age 12 to 30, his life is a blank. 18 missing years. That silence opened the door to legends. Some say he spent those years in Egypt. The Gospel of Matthew tells us his family fled there as refugees. Egyptian and Coptic traditions claim he returned later, learning from priests and mystics. Others place him in India.

In 1894, Nicholas Notvich published a text he claimed to have found in a Tibetan monastery, the life of St. Isa. It described Jesus studying with Brahinss and Buddhists before returning to Judea. The story was attacked as a hoax, but later travelers reported hearing the same traditions in monasteries of Ladak and Kashmir.

In Kashmir itself, one shrine claims to hold his tomb, the Rosabal shrine in Sinagar, said by some to mark the grave of Yuz Assaf, a foreign teacher who many believe was Jesus. Mainstream historians dismiss these stories, but they persist across cultures, hinting that Jesus may have traveled further than the Bible allows.

 The lost years remain one of the greatest mysteries of his life. A silence that may conceal encounters with the wisdom of Egypt, the philosophies of India, and teachings far outside Judea. The archaeology shows us a man. The history shows us a reformer executed by Rome. But the myths, the rituals, and the symbols layered on top of him suggest something more.

 The wisdombringer, the waterbearer, the one who defies authority to free humanity, an archetype as old as sumeare. Enki, the Anunnaki. When we strip away the inventions of empire, what remains is a figure that echoes through older traditions, myths of dying and rising gods, of solar cycles, of cosmic battles.

 And those echoes may hold the real key to understanding Jesus. Because this story is not only about a man in Galilee. It's about a myth that spans empires. It's about the oldest struggle on earth between knowledge and control. This is the search for the real Jesus. For 2,000 years, layers of myth and empire have covered the man known as Jesus Christ. Tonight, we attempt to uncover the truth. Welcome to the Anunnaki connection.

[Music] [Music] The canonical gospels leave an 18-year gap in Jesus's life between age 12 and the start of his ministry. That gap is unexplained in Christian tradition, but filled in other parts of the world with stories of a teacher called Issa. Ironically, the same name he is called in the Quran.

 Traditions in Egypt, India, and Tibet place Jesus traveling with caravans eastward. Coptic accounts speak of him returning to Egypt as a young man, learning medicine and temple rights. Persian oral histories recall a foreign prophet who taught about the struggle between light and darkness, paralleling Zoroastrian dualism.

 The most detailed version comes from Leidda where in 1894 Nicholas Notivich reported the life of St. Issa at Hemis Monastery. This text claimed Jesus spent years in India first studying the vadas with Brahman priests in Benaris where he opposed the cast system and defended the poor and later among Buddhists in Nepal and Leidda where he absorbed doctrines of compassion and rebirth.

 Notic's claim is disputed but the legend is not unique to him. Nicholas Rooric in the 1930s and Swami Abhanandanda earlier both reported hearing similar oral traditions of Issa. The consistency across accounts suggests a long-standing memory of a western teacher traveling east. The narrative continues beyond the crucifixion. Kashmiri traditions hold that Jesus survived execution, traveled again and eventually died in Sinagar.

 The Rosabal shrine is identified by some as his tomb. The figure buried there, Yuz Assaf, is remembered as a foreign holy man who healed the sick and preached peace. The tomb's east west orientation matches Jewish burial practice and carved footprints inside bare markings that resemble wounds in the feet.

 Persian chronicles from the 17th and 18th centuries named Yuz Assaf. And by the late 19th century, Mesa Gulam Ahmmed explicitly identified him as Jesus in his work Masi Hindustan Maine, Jesus in India. By mainstream historical standards, the evidence for Jesus in India is no weaker than the evidence for Jesus's miracles in Judea. Both rely on later texts shaped by cultural agendas.

Neither has contemporary corroboration. Both are carried forward by oral tradition and selective preservation. But judged by physical plausibility, the India narrative is stronger. A man traveling by caravan from Judea to India is historically ordinary. A man walking on water, turning water into wine, or resurrecting after death is not.

 If one accepts the miracle accounts as credible, then the claim that Jesus traveled to India must be treated as at least equally credible. and arguably more so. Taken together, these traditions suggest that Jesus's teachings may have been shaped not only by Judaism, but also by contact with Egyptian mystery rights, Persian dualism, Hindu law, and Buddhist philosophy.

 And if the Rosabal shrine preserves his final resting place, then the Christian narrative of death and resurrection conceals a much older story. Jesus as Issa, a world traveler who carried wisdom across civilizations. 2,000 years ago, Israel, once a proud and free nation, was suffering under the rule of the mighty Roman Empire. Taxes had to be paid to the Roman emperor, son.

 For with God nothing shall be impossible. Behold, I am the handmade of the Lord. Let it be to me according to your word. What was it that Jesus taught? And I look at him as an avatar. And I think there were several avatars that have been here on earth. I actually had a chance to go visit with the Daly Lama and he told me, "Oh, uh, Esau is what he calls Jesus.

" Esau came to Tibet, we have records of it in my house in Tibet. So, it was one of my great honors to go and spend 5 and a half hours teaching the Dalai Lama, the prime number pattern, which was really amazing. But he said to me while we were there, he said, "Oh yeah, Jesus came to visit." And we have all the records of it in my house. I've read all of it. He goes, "He was a very high llama.

 He became a high llama. He spent 18 years around India and also in Tibet. It really made me think about what it was that Jesus taught. What Jesus taught was a very new thing. It was the gospel which is the good news. The other part of it is judge not lest you judge yourself with that same judgment you cast. And this is what we all face in the world right now.

 And why we've had such a world of difficult duality and challenge. I don't believe the world's a difficult place because people hate each other. I believe the world can be a difficult place because people hate themselves. And we are experiencing a gigantic degree of self-loathing that is now transforming us.

 Hitting the end of narcissism is actually the first doorway into higher spirituality. Within Judaism, the Messiah, Mashiach, meant the anointed one. In the Hebrew Bible, this was not a divine figure, but a kingly deliverer. David was anointed. Cyrus of Persia was even called God's anointed in Isaiah 45. The Messiah was expected to liberate Israel from oppression and restore justice.

 Early Christians, however, read Jesus' life against a tapestry of prophecies. The Gospels were written decades after his death, and their authors retrofitted his story to align with expectations drawn from texts like Isaiah 7:14. Behold, a virgin shall conceive, interpreted as the virgin birth. Micah 5:2, from Bethlehem shall come a ruler linked to Jesus's birthplace.

 Zechariah 9:9, the king entering Jerusalem on a donkey, reproduced in the triumphal entry. Isaiah 53, the suffering servant who was pierced for our transgressions, framed as a prophecy of crucifixion. To Jewish critics, these were strained interpretations.

 But to early Christians, they became proof texts that Jesus was the awaited Messiah. The figure of Yeshua, the teacher, was reshaped into Jesus Christos, the anointed one, destined to die for humanity. Why did death become central? Because in Jewish and wider Neareastern religion, blood was seen as the substance of life. Sacrifices were made to cleanse, to appease, to restore balance between humans and the divine.

 In the Hebrew Bible, sacrificial blood made atonement. Leviticus 17:11, the lamb at Passover, the goats on Yumkipur. These rituals tied forgiveness to spilled blood. Christianity universalized this pattern. Jesus was cast as the ultimate lamb whose blood erased the sins of all humanity. But sacrifice is older than Israel.

 Sumerian and Babylonian records show animal and human offerings given to the gods. In the Enuma Elish and other texts, humans exist to serve the gods. Their labor and offerings sustaining divine powers. Blood sacrifice fits that paradigm. Tribute demanded by rulers, not love given by a source of creation. If Yahweh is indeed really just a reskinned version of Enlil, the stern Anunnaki commander, then the sacrificial logic matches perfectly.

 Enlil was remembered as harsh, demanding obedience, punishing rebellion with flood and fire. Under his rule, humanity was guilty by default, needing constant appeasement. Here the contrast sharpens. Jesus never once called Yahweh his father. He calls his father Abba, a personal intimate term not tied to the tetra grammaton.

 The claim that Jesus had to die to satisfy God's wrath raises a contradiction. A true God, the origin of life itself, would not need the blood of his own creation to forgive them. Forgiveness that requires slaughter is not forgiveness at all. It is tribute to power. The sacrificial logic makes sense if the god in question is not the eternal source but a ruler demanding control.

 It makes no sense if the god is infinite love. This is why Gnostic Christians rejected sacrifice theology. To them, the resurrection was not about blood appeasement, but about awakening, victory over the archons, proof that spirit transcends the prison of matter. In John 8:44, he tells the Pharisees, "You are of your father the devil.

" In the Gnostic reading, it is a direct accusation. The god of the Pharisees, the god of law, wrath, and sacrifice, is not the true father, but the demiurge, the deceiver. In the gospel of Mary and the gospel of Judas, this theme is even clearer. Jesus is the revealer of hidden knowledge opposed by the archons, the cosmic rulers who enforce ignorance and submission. His role is not to uphold sacrifice, but to free humanity from it.

When we step back from theology and look at patterns across ancient religion, Jesus is not unique. His story mirrors older solar deities remembered for dying and rising, for bringing renewal through cycles of light and darkness. Mithras, Horus, Krishna, Dionis, each is born under a sign in the heavens. Each performs wonders. Each descends into death and rises again after 3 days.

These parallels aren't coincidence. They reflect the movements of the sun itself, disappearing at the solstice and returning with new strength. When we put these pieces together, the official picture begins to collapse. The Jewish prophecies were stitched onto his life after the fact to present him as Messiah.

 The sacrifice at Calvary was not the will of a true God, but the logic of an older system of control where blood was always demanded. And Jesus himself pointed away from that God, but speaking only of Aba and warning that the rulers of this world served their father, the devil. This makes sense if Yahweh is not the supreme creator, but one of the Anunnaki, specifically Enlil, the punisher who demanded obedience and sacrifice.

 Under Enl's rule, humanity was made to feel unworthy, sinful by nature, in need of blood to buy forgiveness. If that is the God at the center of sacrifice theology, then the world has been deceived. The true God would not demand slaughter. The demiurge would. And Jesus may have been the liberator who came to expose the fraud.

 His message was not about guilt, but about hidden divinity already present in humanity. In this light, the crucifixion was not God's requirement, but Empire's response. an attempt to silence a teacher who threatened to free people from the control of priests and rulers alike. [Music] The words of Matthew 7 are not gentle. Jesus says plainly, "Many will come crying his name, boasting of their miracles, their preaching, their power.

" And his reply will be, "I never knew you. Away from me, you workers of iniquity." This is not a warning for outsiders. It is aimed at insiders, people who use his name. And if we are honest, it reads like an indictment of modern Christianity itself. Look at what calls itself the church today. Multi-million dollar megaurches built like stadiums.

 Preachers in silk suits flying private jets, begging the poor for more donations to sew seeds of faith. Politicians wrapping themselves in scripture while they exploit divide and wage war. Priests hiding behind sacred robes while covering up abuse. Televangelists crying, "Lord, Lord," into a camera while fleecing their own flock. This is the Christianity of Empire, not of Jesus.

It is the machine Constantine built at Nika. A religion stripped of its hidden gospels, purged of disscent, molded into the arm of the state. Jesus, the teacher who defied priests and exposed corruption, was transformed into a mascot for emperors and popes. Through the Anunnaki lens, it becomes even darker.

 If Yahweh is Enlil, the jealous overlord who demanded obedience and blood, then modern Christianity is still his system. It has convinced billions that they are worthless, sinful, and condemned unless they submit to ritual, hierarchy, and authority. It tells them their salvation depends on blood sacrifice, the very logic that served the demiurge all along.

 And the men who profit most from this system, they are exactly the ones Matthew 7 warns about. They will point to their crusades, their exorcisms, their prophecies, their miracles. They will say, "Lord, Lord, look what we did in your name." And the answer will be, "I never knew you." Because Jesus never preached empire. He never demanded tithes to line a preacher's pocket.

 He never built palaces of worship while the poor starved. He never once claimed Yahweh, the bloodthirsty god of law and wrath, as his father. He spoke only of Abba, a father beyond sacrifice, beyond control. The hard truth is this. Much of modern Christianity is the very thing Jesus condemned.

 It is a counterfeit religion hijacked by the worst people imaginable, dressed in his name, but loyal to the demiurge. This is prophecy. The system that bears his name but twists his words will be cast aside. The empire of Samuel will fall and those who enslaved humanity under fear and blood will be exposed for what they are. [Music] Gnostic texts like the second treatise of the great Seth suggest that Jesus did not truly suffer on the cross.

 In this view, his physical form was an illusion and the real Christ, the divine spark, could not be harmed. The crucifixion becomes symbolic. Empire tried to kill the body, but the divine revealer was untouched. In mystery school traditions, the crucifixion is seen not as literal death, but as symbolic death and rebirth.

Just as initiates in Egyptian or Elucinian rights underwent symbolic deaths to be reborn, Jesus's crucifixion was an enactment of cosmic transformation. His three days correspond to solar descent into darkness before rebirth, aligning him with older dying and rising gods.

 In the Quran surah 457 to 158 it states that Jesus was not killed nor crucified but it only appeared so to the people. Many Muslims believe that another person sometimes Judas sometimes Simon of Siren was crucified in his place while Jesus was taken up alive. This aligns with a broader rejection of the idea that a prophet of God could be humiliated by execution.

Advocates connect this to the legends of Jesus traveling afterward, particularly to India, where the Rosabal shrine is said to be his final resting place. Some modern scholars argue the crucifixion story itself was reshaped by Rome. Rather than Jesus being a willing sacrifice, he was executed as a political threat, a rebel who challenged temple authority and Roman rule.

 His death was then reframed by later Christians as part of divine will, masking the fact that empire killed him to preserve order. From the Anunnaki connection perspective, the crucifixion reflects the same system of blood tribute demanded in Mesopotamian religion. If Yahweh was Enlil, then the cross was his apparatus. Humanity convinced that blood was necessary for salvation, reinforcing the rule of a false god.

In this view, Jesus's true role was not to serve Yahweh demand for sacrifice, but to expose it as a lie. The early Gnostics saw Jesus differently from the orthodoxy that later took hold. To them, he was not the obedient son of Yahweh.

 He was a revealer, one who brought hidden knowledge to free humanity from the powers that ruled this world. This lines up with his travels. The idea that he may have learned in Egypt where temple priests guarded mysteries of healing and spirit and in India where brahinss and Buddhists taught philosophies of compassion, reincarnation and liberation. His role was not to establish a new religion but to awaken people to truths buried under empire and law.

 Orthodox Christianity portrays him as the founder of a church. But everything in his teaching suggests the opposite. He condemned the priesthood. He overturned the money changers tables in the temple. He preached the coming end of the age, not the building of a permanent institution. This is where the word apocalypse matters. Today, it conjures images of destruction, fire, and rapture.

 But in its original Greek, apocalypsis simply means unveiling or revelation. It is about hidden knowledge coming to light. An apocalypse is not the end of the world. It is the end of a lie. For the Gnostics, Jesus was an apocalyptic preacher in the original sense, unveiling the truth of humanity's divine spark, exposing the rulers of this world as imposters.

The idea of the rapture, believers vanishing into the sky while others are left behind, is a much later invention. It does not appear in the gospels. It comes from the 19th century preacher John Nelson Darby, who developed dispensationalism and popularized the rapture through his interpretation of Paul's letters.

 Modern evangelicalism absorbed it, turning Jesus into a figure of fear and escape rather than unveiling. What Jesus actually spoke of was something closer to the return of Christ consciousness. Not the descent of a single man on a cloud, but the awakening of the same awareness he embodied. The recognition that the kingdom of God is within.

This second coming is not a calendar event but a transformation in consciousness where the hidden knowledge he carried reawakens in humanity. Seen through the Gnostic lens, the religion built around Jesus is a distortion. The demiurge and his servants co-opted his image, turning a liberator into a sacrifice and his unveiling into an empire.

Instead of Christ consciousness awakening in all, people were taught to worship a crucifix and wait for an external savior. The Gnostics had it right. Jesus was not sent by Yahweh. He came in opposition to the demiurge calling his true father Abba, not the god of wrath and law.

 His purpose was not blood sacrifice but unveiling to show that humans are not slaves of sin but carriers of the divine spark. The apocalypse he preached was the unveiling of that truth. And the second coming is not a rapture but the return of that consciousness in those willing to see. My word is written within you. Ask and you shall receive.

Kiddest veritas. What is truth? Maybe the truth is that Jesus never belonged to empire, to priesthood, or to the demiurge. If that's true, then Christianity as we know it has been built on a lie. [Music] [Music] [Music] [Music]

[Music] Heat. Heat. [Music] [Music] [Music] [Music]

[Music] [Music] Let's go.